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Artworks

298 records
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"
The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"
Torii Kiyonaga
Color woodblock print; oban · 1776
Art Institute of Chicago
Couple Under a Tree
Couple Under a Tree
Torii Kiyonaga
Color woodblock print; hashira-e · 1776
Art Institute of Chicago
Descending Geese for Bunshichi (Bunshichi no rakugan), from the series "Eight Views of Elegant Gallants (Furyu otokodate hakkei)"
Descending Geese for Bunshichi (Bunshichi no rakugan), from the series "Eight Views of Elegant Gallants (Furyu otokodate hakkei)"
Katsushika Hokusai
Color woodblock print; chuban · 1776
Art Institute of Chicago
A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu)
A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu)
Katsushika Hokusai
Color woodblock print · 1776
Art Institute of Chicago
View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome
View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1776
Art Institute of Chicago
Colonel Guy Johnson and Karonghyontye (Captain David Hill)
Colonel Guy Johnson and Karonghyontye (Captain David Hill)
Benjamin West
oil on canvas · 1776
National Gallery of Art
The Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji, from the series "Models for Fashion: New Designs as Fresh as Young Leaves" (Hinagata wakana no hatsu moyo)
The Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji, from the series "Models for Fashion: New Designs as Fresh as Young Leaves" (Hinagata wakana no hatsu moyo)
Torii Kiyonaga
Color woodblock print; ōban · 1776
Art Institute of Chicago
The Noda Jewel River, from a hexaptych depicting the Six Jewel Rivers
The Noda Jewel River, from a hexaptych depicting the Six Jewel Rivers
Kubo Shunman
Color woodblock print; sheet from oban hexaptych · 1776
Art Institute of Chicago
The Ide Jewel River
The Ide Jewel River
Kubo Shunman
Color woodblock print; sheet from oban hexaptych · 1776
Art Institute of Chicago
The Actor Sawamura Sojuro III as the Hairdresser Jirokichi in the Play Shida Choja-bashira, Performed at the Nakamura Theater in the Eighth Month, 1781
The Actor Sawamura Sojuro III as the Hairdresser Jirokichi in the Play Shida Choja-bashira, Performed at the Nakamura Theater in the Eighth Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban; left sheet of diptych · 1776
Art Institute of Chicago
The Actor Ichikawa Danzo IV as Tonase in the Play Kanadehon Chushingura, Performed at the Morita Theater in the Third Month, 1781
The Actor Ichikawa Danzo IV as Tonase in the Play Kanadehon Chushingura, Performed at the Morita Theater in the Third Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Otani Tomoemon I as Otsuma in the Play Kabuki no Hana Bandai Soga, Performed at the Ichimura Theater in the Fourth Month, 1781
The Actor Otani Tomoemon I as Otsuma in the Play Kabuki no Hana Bandai Soga, Performed at the Ichimura Theater in the Fourth Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban; right sheet of diptych · 1776
Art Institute of Chicago
The Actor Ichikawa Monnosuke II as the Pilgrim Kakuzan in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781
The Actor Ichikawa Monnosuke II as the Pilgrim Kakuzan in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, Performed at the Morita Theater in the Third Month, 1781
The Actor Ichikawa Danzo IV Doing a Quick Change Between the Roles of Sadakuro and Yoichibei, in the Play Kanadehon Chushingura, Performed at the Morita Theater in the Third Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Nakamura Nakazo I as Hakamadare Yasusuke or Watanabe no Tsuna (?) in the Play Shintenno Tonoi no Kisewata (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1781 (?)
The Actor Nakamura Nakazo I as Hakamadare Yasusuke or Watanabe no Tsuna (?) in the Play Shintenno Tonoi no Kisewata (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1781 (?)
Katsukawa Shunshō
Color woodblock print; hosoban; left sheet of diptych · 1776
Art Institute of Chicago
The Actor Ichikawa Danjuro V as Prince Koretaka Disguised as the Courier Izutsu Chuji, in the Play Yamato Kano Ariwara Keizu, Performed at the Nakamura Theater in the Fifth Month, 1781
The Actor Ichikawa Danjuro V as Prince Koretaka Disguised as the Courier Izutsu Chuji, in the Play Yamato Kano Ariwara Keizu, Performed at the Nakamura Theater in the Fifth Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Ichikawa Danjuro V as Yanone Goro in the Play Kuruwa-gayoi Komachi Soga, Performed at the Nakamura Theater in the Fifth Month, 1781
The Actor Ichikawa Danjuro V as Yanone Goro in the Play Kuruwa-gayoi Komachi Soga, Performed at the Nakamura Theater in the Fifth Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Nakamura Nakazo I as Watanabe no Tsuna in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781
The Actor Nakamura Nakazo I as Watanabe no Tsuna in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban; right sheet of diptych · 1776
Art Institute of Chicago
The Actor Ichimura Uzaemon IX as the Yakko Matahei in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
The Actor Ichimura Uzaemon IX as the Yakko Matahei in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actor Bando Mitsugoro I as the Shinto Priest Goinosuke Disguised as the Spirit of a White Heron, in the Play Sakikaese Yuki no Miyoshino, Performed at the Morita Theater in the Eleventh Month, 1781
The Actor Bando Mitsugoro I as the Shinto Priest Goinosuke Disguised as the Spirit of a White Heron, in the Play Sakikaese Yuki no Miyoshino, Performed at the Morita Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; hosoban · 1776
Art Institute of Chicago
The Actors Ichimura Uzaemon IX as Hata no Daizen Taketora Disguised as the Yakko Matahei (right), and Iwai Hanshiro IV as Umegae Disguised as the Poem-Diviner Omatsu (left), in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
The Actors Ichimura Uzaemon IX as Hata no Daizen Taketora Disguised as the Yakko Matahei (right), and Iwai Hanshiro IV as Umegae Disguised as the Poem-Diviner Omatsu (left), in the Play Mukashi Otoko Yuki no Hinagata, Performed at the Ichimura Theater in the Eleventh Month, 1781
Katsukawa Shunshō
Color woodblock print; aiban · 1776
Art Institute of Chicago
Four courtesans of various houses, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 3
Four courtesans of various houses, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 3
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
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