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Artworks

600 records
Goldweight in the Form of a Geometric Shape
Goldweight in the Form of a Geometric Shape
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Standing Courtesan
Standing Courtesan
Ando
Hanging scroll, mounted as panel; ink and color on paper · 1700
The Metropolitan Museum of Art
Courtesan
Courtesan
Ando
hanging scroll; ink and color paper · 1700
Cleveland Museum of Art
Sanjo Kantaro II in the Role of Urashima Taro
Sanjo Kantaro II in the Role of Urashima Taro
Ando
hanging scroll; ink and color on paper · 1700
Cleveland Museum of Art
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Sitbon
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Sitbon
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Manzai Dancers
Manzai Dancers
Teisai Hokuba
Part of an album of woodblock prints (surimono); ink and color on paper · 1700
The Metropolitan Museum of Art
Education of Marie de Medicis
Education of Marie de Medicis
Nicolas Pierre Loir, French
Pen and brown ink, over traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Saint Pius V
Saint Pius V
Angelo de Rossi
Bronze, fire-gilt · 1700
The Metropolitan Museum of Art
Dish
Dish
Monogrammist I. L.
Silver · 1700
The Metropolitan Museum of Art
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Hefti
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Hefti
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Adjetey Adjei Mayne
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Adjetey Adjei Mayne
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Flowers in a Glass Vase with a Butterfly
Flowers in a Glass Vase with a Butterfly
Herman Henstenburgh
deck paint, parchment (animal material), gouache (paint) · 1700
Rijksmuseum
Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso)
Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso)
Paolo Pagani
Pen and brown ink, brush and brown wash, over black chalk (the three struggling figures) (recto); pen and purple ink, brush and purple wash (the two figures at lower right) (recto); pen and brown ink, brush and brown wash, over black chalk (verso) · 1700
The Metropolitan Museum of Art
Procession at Memphis
Procession at Memphis
Michel François Dandré-Bardon
Pen and brown ink over red chalk underdrawing, squared in black chalk · 1700
The Metropolitan Museum of Art
Equestrian Group
Equestrian Group
Michel François Dandré-Bardon
Pen and brown ink over red chalk underdrawing · 1700
The Metropolitan Museum of Art
Conversion of Saint Paul
Conversion of Saint Paul
Raphael-Schwartz
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael-Schwartz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Shuyadō (Studio of Lofty Rusticity)
Shuyadō (Studio of Lofty Rusticity)
Bunsei
hanging scroll, ink on paper · 1700
Cleveland Museum of Art
Trade Card for William Sharp, Engraver
Trade Card for William Sharp, Engraver
William Sharp
Engraving · 1700
The Metropolitan Museum of Art
Vase
Vase
Shunko
Clay covered with a thick, crackled glaze much congealed, leaving bare spots · 1700
The Metropolitan Museum of Art
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