Database / Artworks
Artworks
Seated Faun Holding Cornucopia (recto); Sketch of Tree and House (verso)
Giulio Romano
Brush and brown wash, heightened with white gouache, and graphite (added later) (recto) and graphite (verso) on ivory laid paper, laid down on cream laid paper · 1540
Art Institute of Chicago
Study for the Presentation of the Christ Child in the Temple
Giuseppe Porta, called Giuseppe Salviati
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on tan laid card · 1540
Art Institute of Chicago
Baccio Bandinelli
Nicolò della Casa
Engraving in black on cream laid paper · 1540
Art Institute of Chicago
The Presentation in the Temple
Niccolò Vicentino
Chiaroscuro woodcut from 4 blocks, printed in tan and gray, on cream laid paper · 1540
Art Institute of Chicago
The Creation of Eve
Giulio Bonasone
Engraving printed in black on paper · 1540
Art Institute of Chicago
Saturn
Niccolò Vicentino
Chiaroscuro woodcut on tan laid paper · 1540
Art Institute of Chicago
The Holy Family with Saints
Léon Davent
Etching in black with engraving on ivory laid paper, tipped onto cream wove paper · 1540
Art Institute of Chicago
The Creation of Eve, plate one from Adam and Eve
Heinrich Aldegrever
Engraving in black on ivory laid paper · 1540
Art Institute of Chicago
Martin Luther
Heinrich Aldegrever
Engraving in black on ivory laid paper · 1540
Art Institute of Chicago
Grotesque with Deities. Plate 01 “Saturne” 2nd state
René Boyvin, French
Black ink on white paper · 1540
Cooper Hewitt, Smithsonian Design Museum
Portrait of Cardinal Zacharias de Mez
Jan Visscher
Engraving on ivory laid paper · 1540
Art Institute of Chicago
The Virgin, Christ Child, and Saint John
Antonio da Trento
Chiaroscuro woodcut printed in black and ochre from two blocks, on paper · 1540
Art Institute of Chicago
Putto
Hans Peiser
Lindenwood · 1540
Art Institute of Chicago
The Abduction of Proserpine on a Unicorn
Albrecht Dürer
Etching in black on ivory laid paper · 1540
Art Institute of Chicago
Grotesque with Deities. Plate 04 “Juno,” 2nd state
René Boyvin, French
Black ink on white paper · 1540
Cooper Hewitt, Smithsonian Design Museum
Three Apostles
Federico Zuccaro, Italian
Black and red chalk on paper · 1540
Cooper Hewitt, Smithsonian Design Museum
Tarquin and Lucretia
Enea Vico
Engraving in black on cream laid paper · 1540
Art Institute of Chicago
The Tomb of a Bishop
Battista Angolo del Moro
Etching on paper · 1540
Art Institute of Chicago
Christ Appearing to Mary Magdalene (Noli Me Tangere)
Willem de Pannemaker
Wool and silk; slit, single, and double interlocking tapestry weave
Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.85 mm
Weft: Count: varies from 32 to 56 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.85 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.8 mm · 1540
Art Institute of Chicago
Divan of Hafiz
Islamic
Cover: bound in leather, tooled, applied gold and black pigment; interior: ink, gold and opaque watercolor on paper · 1540
Art Institute of Chicago
Wilhelm V, Duke of Julich, Cleve and Berg
Heinrich Aldegrever
Engraving; first state of three · 1540
The Metropolitan Museum of Art
Adoration of the Christ Child
German Bobe
Amber · 1540
Art Institute of Chicago
Nymph of the Spring
Lucas Cranach the Younger
Oil on beech panel · 1540
The Metropolitan Museum of Art
Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent
Rosso Fiorentino
Pen and brown ink, red and black chalk. · 1540
The Metropolitan Museum of Art