Database / Artworks
Artworks
The Promenades of Madrid
Joseph Pennell
Oiled charcoal, with selective erasing, heightened with white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
Madrid al Fresco
Joseph Pennell
Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
Madrid: The Palace
Joseph Pennell
Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
The Choir, Toledo
Joseph Pennell
Oiled charcoal heightened with white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
A Street of Toledo
Joseph Pennell
Oiled charcoal, heightened with white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
The Chapter House, Toledo Cathedral
Joseph Pennell
Oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
Segovia from the Corner Tower
Joseph Pennell
Oiled charcoal, heightened with touches of white pastel, on cream wove paper, laid down on board · 1900
Art Institute of Chicago
Side Chapels, the Cathedral, Toledo
Joseph Pennell
Oiled charcoal, heightened with white pastel, on ivory wove paper, laid down on board · 1900
Art Institute of Chicago
A Grand and Shadowy Grove of Marble
Joseph Pennell
Oiled charcoal, heightened with touches of white pastel, on ivory laid paper, laid down on board · 1900
Art Institute of Chicago
Study for a woman, “Vintage Festival,” Mendelssohn Glee Club, New York, NY
Robert Frederick Blum, American
Black, white pastel crayon on grey paper · 1895
Cooper Hewitt, Smithsonian Design Museum
Study for a standing woman with child, “Vintage Festival,” Mendelssohn Glee Club, New York, NY
Robert Frederick Blum, American
Black and white pastel crayon on grey paper · 1895
Cooper Hewitt, Smithsonian Design Museum
Mademoiselle Ellen Helleu
Paul Helleu
Red chalk and black chalk, with incising, heightened with white pastel and white pastel mixed with red chalk, on cream wove Japanese paper · 1892
Art Institute of Chicago
Mademoiselle Ellen Helleu
César
Red chalk and black chalk, with incising, heightened with white pastel and white pastel mixed with red chalk, on cream wove Japanese paper · 1892
Art Institute of Chicago
Mademoiselle Ellen Helleu
Paul César Helleu
Red chalk and black chalk, with incising, heightened with white pastel and white pastel mixed with red chalk, on cream wove Japanese paper · 1892
Art Institute of Chicago
Half-Length Portrait of Alice Helleu, the Artist's Wife
Paul César Helleu
Red and black chalk, heightened with white pastel and white pastel mixed with red chalk, on cream wove Japanese paper · 1890
Art Institute of Chicago
Female Nude with Ram
Arthur B. Davies
Charcoal, heightened with white pastel, on reddish brown laid paper · 1882
Art Institute of Chicago
Sleeping Man
Henry Stacy Marks
Black pastel, heightened with white pastel, on blue laid paper · 1880
Art Institute of Chicago
Sketchbook Page: Portrait of a Man
Kenyon Cox, American
Black and white pastel, charcoal on blue-grey laid paper · 1877
Cooper Hewitt, Smithsonian Design Museum
Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)
James McNeill Whistler
Pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper · 1867
Art Institute of Chicago
Study of a Sleeping Woman
Pierre Cecile Puvis De Chavannes
Black Conté crayon, heightened with white pastel, on tan wove paper, laid down on cream card · 1862
Art Institute of Chicago
Study of a Sleeping Woman
Pierre Puvis de Chavannes
Black Conté crayon, heightened with white pastel, on tan wove paper, laid down on cream card · 1862
Art Institute of Chicago
Mind
Henry Stacy Marks
Black pastel with stumping, heightened with white pastel, on blue laid paper · 1859
Art Institute of Chicago
Two Sketches: Father and Daughter
Henry Stacy Marks
Black pastel, heightened with white pastel, on blue laid paper · 1849
Art Institute of Chicago
Standing Man Smoking a Pipe, Seen from Behind
Henry Stacy Marks
Black pastel heightened with touches of white pastel, squared in black pastel, on blue laid paper · 1849
Art Institute of Chicago