WATTS INDEX/database

Database / Artworks

Artworks

230 records · watercolor and ink
L'Antitête
L'Antitête
Yves Tanguy
Three volume illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 95) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Plate (page 95) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 71) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Plate (page 71) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 49) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Plate (page 49) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Variant of plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 29) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Plate (page 29) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Frontispiece from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Frontispiece from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Variant of plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Variant of plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Variant of frontispiece from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Frontispiece from Minuits pour géants: Volume II from L'Antitête
Frontispiece from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Plate (page 117) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Variant of plate (page 15) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Variant of plate (page 37) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Plate (page 83) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 95) from Minuits pour géants: Volume II from L'Antitête
Plate (page 95) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Variant of frontispiece from Minuits pour géants: Volume II from L'Antitête
Variant of frontispiece from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Plate (page 49) from Minuits pour géants: Volume II from L'Antitête
Plate (page 49) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art
Fabric Design for ID Stage
Fabric Design for ID Stage
Catherine Hinkle
Watercolor and ink on illustration board · 1946
Art Institute of Chicago
Maquette for the Facade Mosaic of the Church of our Lady of All Grace, Assy
Maquette for the Facade Mosaic of the Church of our Lady of All Grace, Assy
Fernand Léger
Watercolor and ink on paper · 1946
Museum of Modern Art
Go to pageof 10