Database / Artworks
Artworks
Recluse playing the zither in a pine grove
Wen Zhengming
Hanging scroll; ink on paper · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
The Annunciation
Battista Franco Veneziano
Etching and Engraving · 1530
The Metropolitan Museum of Art
Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art
Spring
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Venus and Cupid
Lucas Cranach the Elder
lime panel · 1530
The Metropolitan Museum of Art
The Virgin and Child
Master of the Female Half-Lengths
oil paint · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Horatio Coclès Saving Himself by Swimming
Diana Scultori
Engraving · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
Mars and Venus
Marco Angolo del Moro
Engraving · 1530
The Metropolitan Museum of Art
The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
The Triumph of Love, from The Triumph of Petrarch
Georg Pencz
Engraving · 1529
The Metropolitan Museum of Art