Database / Artworks
Artworks
Houses (Häuser) from 16 Woodcuts (16 Holzschnitte)
Walter Helbig
Woodcut from a portfolio with sixteen woodcuts, one woodcut title page, one woodcut table of contents, one woodcut cover and one woodcut colophon · 1911
Museum of Modern Art
16 Woodcuts (16 Holzschnitte)
Walter Helbig
Portfolio with sixteen woodcuts, one woodcut title page, one woodcut table of contents, one woodcut cover and one woodcut colophon · 1911
Museum of Modern Art
Portfolio, title page and colophon for Vom Weyerberg
Heinrich Vogeler
Cloth portfolio cover, title page with etching on cream wove paper (by Vogeler) and letterpress, and colophon page with letterpress · 1895
Art Institute of Chicago
Text Booklet for Le Café-Concert
Georges Montorgueil
Title page and thirteen pages of printed text on cream wove paper · 1893
Art Institute of Chicago
Vignette (in-text plate, title page) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etched title page from a portfolio of seven etchings, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Repose (Ruhe) (plate VIII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Rescuse (Rettung) (plate IV) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Fears (Ängste) (plate VII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Triumph (plate V) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Cupid (Amor) (plate X) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Yearnings (Wünsche) (plate III) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Abduction (Entführung) (plate IX) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Action (Handlung) (plate II) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Homage (Huldigung) (plate VI) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Place (Ort) (plate I) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Voyage en bateau
Charles-François Daubigny
portfolio with introductory text by Frederic Henriet and 16 etchings plus wrapper (Del. 99 printed on wrapper & on separate sheet as title page) · 1862
National Gallery of Art
Première Suite de dix eaux-fortes
François Bonvin
complete set of ten etchings, plus one additional impresson of _Le Dessert_, on laid paper with original wrappers but missing original title page · 1861
National Gallery of Art
A Horse-Drawn Wagon, Title Page for Various Subjects Drawn from Life and on Stone (The English Suite)
Jean Louis André Théodore Géricault
Bi-fold portfolio cover with pen-lithographed title page in black on buff wove paper · 1821
Art Institute of Chicago
Mascarade à la Grecque
Benigno Bossi, Italian
Set of 10 etchings, including the title page · 1771
Cleveland Museum of Art
Oeuvre de J. B. Le Prince Sur les Moeurs, les Coutumes et les Habillemens de différents Peuples, Gravé en partie à l'Eau Forte et le reste par le procédé qu'il a inventé pour produire l'effet des Desseins lavés
Jean Baptiste Le Prince
Bound volume with engraved title page, 88 etchings, and 36 etchings and aquatints printed in brown on laid paper [plus one loose etching and engraving by Guillaume-Philippe Benoist after Jean-Baptiste Perronneau (see 1942.9.1640)] · 1770
National Gallery of Art
A Man Leaning on a Structure
Giovanni Battista Piranesi
pen and dark brown ink on fragment of a printed title page · 1760
National Gallery of Art
Metamorphoses
Pieter de Jode I
Engraving (title page) and etchings (some with engraving) on cream laid paper · 1606
Art Institute of Chicago