Database / Artworks
Artworks

Panel
Dorothy Liebes
Linen, cotton, silk, rayon and metal strip encased in synthetic film, plain weave · 1950
Art Institute of Chicago

Women's jacket and skirt
Hmong
a) Silk; satin damask weave, appliquéd with bands and panels of cotton, plain weave embroidered with silk; silk, plain weave with warp-float patterning tapes
b) Synthetic; pleated satin weave and bands of plain weave embroidered with silk; cotton plain weave panel with attached warp-float patterning tape tie · 1950
Art Institute of Chicago

Panel (UP 27B #1)
Robert D. Sailors
Cotton, rayon, and metal foil laminated between synthetic film, plain weave · 1950
Art Institute of Chicago

Casement Cloth
Anni Albers
Cotton (or synthetic) and metal foil · 1950
Museum of Modern Art

Upholstery Fabric
Yvonne Palmer Pacanovsky Bobrowicz
Wool, cotton, rayon, silver colored metallic strip encased in gold colored synthetic film, broken, combined twill weave · 1949
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Cotton, linen, rayon, silk, and metallic foils encased in synthetic films; plain weave · 1949
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Wool, cotton, rayon, metal, and metal strip encased in synthetic film, plain weave self-patterned by ground weft floats · 1948
Art Institute of Chicago

Sample (Upholstery Fabric)
Dorothy Liebes
Rayon, cotton, and metal-strip-wrapped cotton encased in synthetic film, twill weave · 1948
Art Institute of Chicago

Sample (Upholstery Fabric)
Dorothy Liebes
Wool, cotton, silk, rayon, and metal strip encased in synthetic film, twill weave · 1948
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Wool, rayon, silk, metal strip wrapped cotton, metallic strip encased in synthetic film wrapped cotton and paper and cotton, bands of plain and twill weaves · 1947
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Silk, cotton, rayon, and metal strip encased in synthetic film, bands of twill weave and weft-float faced twill weave · 1947
Art Institute of Chicago

Glass House, New Canaan, Connecticut (Scale model, 3/8" = 1')
Philip Johnson
Acrylic, wood, metal, paper, synthetic polymer paint, sand and stone · 1947
Museum of Modern Art

Mold (Muffa)
Alberto Burri
Oil, synthetic polymer, pumice, and metallic paint on canvas · 1946
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Cotton, silk, metal strip, and metallic strip encased in synthetic film, twill weave · 1946
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Cotton, rayon, metal, metal strip encased in synthetic film, cellophane film, and metal beads, plain weave self-patterned by ground weft floats · 1946
Art Institute of Chicago

Resor House Project, Jackson Hole, Wyoming (Scale model, 1/4" = 1')
Ludwig Mies van der Rohe
Wood, plastic, paper, glass, copper, synthetic polymer paint · 1937
Museum of Modern Art

Genni chair
Gabriele Mucchi
Painted tubular steel and coated synthetic fibers · 1934
Museum of Modern Art

Sample
Anni Albers
Cotton and synthetic fiber, plain weave · 1901
Art Institute of Chicago

Masquerade Costume for Egungun (Paka)
Yoruba
Natural and synthetic fiber, wood, mirror and metal, shell, pieced from felted, knotted, and woven fabrics; printed and embroidered · 1875
Art Institute of Chicago

Sarape with Compound Banded Design
Navajo (Diné)
Natural and Germantown wool, plain weave and single interlocking tapestry weave; twined warp ends and selvages; looped and knotted augmented corner tassels; natural and synthetic dyes · 1870
Art Institute of Chicago

Traveling cutlery set
Chez Aucoc, France, established 1821
cutlery, decorative arts, traveling cutlery set — lined leather, silver, iron, ivory (possibly synthetic) · 1819
Cooper Hewitt, Smithsonian Design Museum

Plaque for Flux Light
Ben Vautier
Synthetic polymer paint on wood
Museum of Modern Art

Plaque for Stool
Ben Vautier
Synthetic polymer paint on wood
Museum of Modern Art

Air
Chryssa
Synthetic polymer paint, graphite, and gouache on paper
Museum of Modern Art