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Artworks

936 records · synthetic
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Untitled from À la recherche du shoe perdu
Untitled from À la recherche du shoe perdu
Andy Warhol
One from a portfolio of eighteen offset lithographs with synthetic dye-based ink additions · 1955
Museum of Modern Art
Sample (Handbag Material)
Sample (Handbag Material)
Dorothy Liebes
Cellulose film, silk, acetate, metal foil laminated in cellulose acetate film, polyester film, and synthetic film, plain weave · 1954
Art Institute of Chicago
Project for an Exterior Wall
Project for an Exterior Wall
Carlos Cruz-Diez
Painted dowels and synthetic polymer paint on wood · 1954
Museum of Modern Art
Project for Mural (Polychrome Columns)
Project for Mural (Polychrome Columns)
Mateo Manaure
Synthetic polymer paint on wood · 1954
Museum of Modern Art
Homage to Malevich
Homage to Malevich
Carlos González Bogen
Synthetic polymer paint on wood · 1953
Museum of Modern Art
Secret
Secret
Mariska Karasz
Linen, plain weave; embroidered with linen, waxed cotton, cotton, jute, nylon, rayon, cellulose film and synthetic-covered cotton in open Cretan and simple looping stitches; couching · 1952
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Cotton, rayon, wool, acetate and metallic strips encased in synthetic films, twill weave · 1952
Art Institute of Chicago
White (Bianco)
White (Bianco)
Alberto Burri
Oil, enamel, metallic paint, fabric, synthetic polymer, tar, paper, thread, and gold leaf on fabric · 1952
Art Institute of Chicago
Mexican Stripe (Curtain Fabric)
Mexican Stripe (Curtain Fabric)
Dorothy Liebes
Cotton, synthetic fibers and metallic strips, plain and twill weaves · 1952
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Silk, rayon, wool, cotton, and metallic foil encased in synthetic film, twill weave with supplementary patterning wefts · 1951
Art Institute of Chicago
Hanging
Hanging
Claire Zeisler
Silk and wool; dyed (ikat); plain weave with discontinuous wefts and plain weave self-patterned by main warp floats and supplementary brocading wefts; some knotted into netting and enclosing glass spheres, some crocheted into tassels with synthetic metallic sequins, some plied into fringes; main warp fringe; wood and metal rings; embroidery hoop · 1950
Art Institute of Chicago
Panel (Formerly Used as a Curtain)
Panel (Formerly Used as a Curtain)
Dorothy Liebes
Cotton, silk, rayon and metallic strip encased in synthetic film, weft-float faced twill weave with bands of plain weave · 1950
Art Institute of Chicago
Sample (Drapery Fabric)
Sample (Drapery Fabric)
Dorothy Liebes
Silk, cotton, and rayon, wool, and metal strips encased in synthetic film, twill weave · 1950
Art Institute of Chicago
Sample (Bench Cover Material)
Sample (Bench Cover Material)
Dorothy Liebes
Cotton, rayon, silk, leather, linen, and cotton and acetate wrapped with metallic strips encased in synthetic film, twill weave · 1950
Art Institute of Chicago
Sample (Window Blind)
Sample (Window Blind)
Dorothy Liebes
Cotton, wool, silk, rayon, sisal, metal strip encased in synthetic film, and PVC strips, plain weave · 1950
Art Institute of Chicago
Miro (Curtain Fabric)
Miro (Curtain Fabric)
Dorothy Liebes
Wool, cotton, silk, and synthetic, plain and twill weaves; with uncut loops · 1950
Art Institute of Chicago
Panel
Panel
Dorothy Liebes
Cotton, rayon, silk, and metallic strip encased in synthetic film, twill weave · 1950
Art Institute of Chicago
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