Database / Artworks
Artworks
Auti te pape (Women at the River), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Oviri
Paul Gauguin
Wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
A Fisherman Drinking Beside His Canoe
Paul Gauguin
Wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso) · 1894
Art Institute of Chicago
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago
Te atua (The God), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago
Te atua (The God), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Auti te pape (Women at the River), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Hamlet
Beggarstaffs (James Pryde, Scottish 1866-1941 & William Nicholson, British 1872-1949)
Stencil · 1894
Museum of Modern Art
The Street Gazette: Grand Inauguration of the New Racetrack Situated on Peñón Hill in Mexico City
José Guadalupe Posada
Relief engraving or photo relief etching with stenciled color on wove paper · 1893
Art Institute of Chicago
Nave nave fenua (Delightful Land), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream Japanese paper discolored to a grayish tone · 1893
Art Institute of Chicago
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper · 1893
Art Institute of Chicago
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893
Art Institute of Chicago
Sick Carnot! (Carnot malade!)
Henri de Toulouse-Lautrec
Lithograph with stencil additions · 1893
Museum of Modern Art
Last Ballad (Ultime ballade)
Henri de Toulouse-Lautrec
Lithograph with stencil additions · 1893
Museum of Modern Art
Letter from a Striker (Lettre d'un Gréviste)
Théophile-Alexandre Steinlen
Lithographed and stenciled sheet music · 1893
Museum of Modern Art
Study of a Woman (Étude de femme)
Henri de Toulouse-Lautrec
Lithograph with stencil additions · 1893
Museum of Modern Art
The Waltz of The Black Stockings (La Valse des bas noirs)
Henri-Gabriel Ibels
Lithographed and stenciled sheet music · 1893
Museum of Modern Art
Les Mal Tournés
Henri-Gabriel Ibels
photo-relief with watercolor stenciling · 1890
National Gallery of Art
Salut, Drapeau!
Henri-Gabriel Ibels
photo-relief with watercolor stenciling · 1890
National Gallery of Art
Monsieur Bute; L'Amant de sa femme; La Belle opération
Édouard Vuillard
photo-relief with watercolor stenciling (pochoir print) on wove paper · 1890
National Gallery of Art
Chimney Strip
Wiener Werkstätte
Cotton, plain weave with supplementary brocading wefts forming cut pile; stenciled · 1875
Art Institute of Chicago
Plate
Félix Bracquemond
Tin-glazed earthenware, stenciled and enameled · 1866
Art Institute of Chicago
Plate
Félix Bracquemond
Tin-glazed earthenware, stenciled and enameled · 1866
Art Institute of Chicago