Database / Artworks
Artworks
Bacchanal
Giulio Sanuto
Engraving · 1552
The Metropolitan Museum of Art
Victory Surrounded by Prisoners and Trophies
Frans Floris, I
Etching · 1552
The Metropolitan Museum of Art
Costume Plate: Hispana Rustica (with label on rock)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Giovanni Battista Naldini
Pen and brown ink, over leadpoint · 1552
The Metropolitan Museum of Art
Close Helmet for the Tourney
Daniel
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Costume Plate: Bearded Man from Spain
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Galla Serva
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Woman with Hooded Garment
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Vulcan Forging the Darts of Cupid
Francesco Primaticcio
Red chalk, highlighted with white gouache, on brownish paper · 1552
The Metropolitan Museum of Art
Tantalus
Giulio Sanuto
Engraving; second state of two · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, center plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Medal: Ippolita Gonzaga
Leone Leoni
Bronze (Copper alloy with worn, dark brown patina) · 1551
The Metropolitan Museum of Art
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Leone Leoni
Bronze, cast · 1551
The Metropolitan Museum of Art
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Jacopo da Empoli
Pen and dark brown ink, over black chalk; squared in red chalk · 1551
The Metropolitan Museum of Art
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching and engraving · 1551
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
The Triumph of Marcus Aurelius
Nicolas Beatrizet
Engraving; first state · 1550
The Metropolitan Museum of Art
Frieze with Nine Birds Perched on a Vine
Franz Brun
Engraving · 1550
The Metropolitan Museum of Art
Minerva
Benvenuto Cellini
Bronze · 1550
The Metropolitan Museum of Art
The Siege of Fiesole by the Goths
Friedrich Sustris
Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art
Venus and Adonis
Titian
Oil on canvas · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art