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Artworks

38 records · pen and brown ink over black chalk
Lot and His Daughters (recto)
Lot and His Daughters (recto)
Pietro da Cortona, Italian
pen and brown ink over black chalk(?), heightened with traces of white gouache · 1600
Cleveland Museum of Art
Lot and His Daughters (recto); Sketch for Lot and His Daughters (verso)
Lot and His Daughters (recto); Sketch for Lot and His Daughters (verso)
Pietro da Cortona, Italian
pen and brown ink over black chalk(?), heightened with traces of white gouache · 1600
Cleveland Museum of Art
Bust of Pseudo-Seneca
Bust of Pseudo-Seneca
Peter Paul Rubens
Pen and brown ink over black chalk heightened with white, with brush and gray ink · 1600
The Metropolitan Museum of Art
Study of a Tree
Study of a Tree
Jacques de Gheyn, II
Pen and brown ink over black chalk · 1580
The Metropolitan Museum of Art
Battle of Nude Men
Battle of Nude Men
Sir Peter Paul Rubens
pen and brown ink over black chalk on four irregularly cut pieces of two types of buff laid paper; laid down and with corner pieces added · 1577
National Gallery of Art
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Alessandro Allori
Pen and brown ink over black chalk (recto), and pen and brown ink with brush and brown and gray wash (verso) on lunette-shaped ivory laid paper · 1555
Art Institute of Chicago
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Alessandro Allori
Pen and brown ink over black chalk (recto), and pen and brown ink with brush and brown and gray wash (verso) on lunette-shaped ivory laid paper · 1555
Art Institute of Chicago
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Alessandro Allori
Pen and brown ink over black chalk (recto), and pen and brown ink with brush and brown and gray wash (verso) on lunette-shaped ivory laid paper · 1555
Art Institute of Chicago
Saint Andrew Led to Martyrdom
Saint Andrew Led to Martyrdom
Niccolò Circignani, (Pomarancio)
Pen and brown ink over black chalk, on tan laid paper, squared in pen and brown ink, laid down on ivory laid paper · 1537
Art Institute of Chicago
Design for Decorative Hinges (recto)
Design for Decorative Hinges (recto)
Luzio Romano
pen and brown ink over black chalk; framing lines in brown ink (lower left, upper right) · 1530
Cleveland Museum of Art
Design for Decorative Hinges (recto) Border Lines (verso)
Design for Decorative Hinges (recto) Border Lines (verso)
Luzio Romano
pen and brown ink over black chalk; framing lines in brown ink (lower left, upper right) · 1530
Cleveland Museum of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Pietro Perugino
pen and brown ink over black chalk on laid paper · 1512
National Gallery of Art
Lucretia
Lucretia
Raphael
Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso) · 1508
The Metropolitan Museum of Art
The Angel of the Annunciation [recto]
The Angel of the Annunciation [recto]
Fra Bartolommeo
pen and brown ink over black chalk on laid paper · 1500
National Gallery of Art
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