Database / Artworks
Artworks
Portrait of Sir Sidney Smith in the Temple Prison
Philippe Auguste Hennequin
Pen and brown ink over black chalk · 1796
The Metropolitan Museum of Art
Othello Hesitating to Kill Desdemona
François Gérard
Pen and brown ink over black chalk · 1790
The Metropolitan Museum of Art
![The Ripetta in Rome [verso]](https://api.nga.gov/iiif/f0fb1e1f-4e5c-4956-9bd8-57d9ddbe520e/full/!800,800/0/default.jpg)
The Ripetta in Rome [verso]
Augustin Pajou
pen and brown ink over black chalk on laid paper · 1752
National Gallery of Art
Ancient Ruins on the Bank of the Tiber
Augustin Pajou
pen and brown ink over black chalk on laid paper · 1752
National Gallery of Art
Giovanni Battista Piranesi
Pier Leone Ghezzi
pen and brown ink over black chalk on laid paper mounted on album page · 1750
National Gallery of Art
The Virgin and Child Enthroned on a Cloud, with Saints Dominic, John Nepomuk, Sebastian, Mark, and Anthony Abbot
Giuseppe Diziani
Pen and brown ink over black chalk · 1743
The Metropolitan Museum of Art
The Deposition (recto) and (verso)
Christian Wink, German
pen and brown ink over black chalk · 1738
Cleveland Museum of Art
The Deposition (recto)
Christian Wink, German
pen and brown ink over black chalk · 1738
Cleveland Museum of Art
An Angel
Benjamin West
pen and brown ink over black chalk on laid paper · 1738
National Gallery of Art
Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter)
Pier Leone Ghezzi
pen and brown ink over black chalk on laid paper mounted on album page · 1734
National Gallery of Art
Study for King Josiah Rending his Garments
James Thornhill
pen and brown ink over black chalk · 1725
Cleveland Museum of Art
A Reliquary of Saint Sigismondo
Giovanni Battista Foggini
pen and brown ink over black chalk on laid paper · 1719
National Gallery of Art
A Bull Sleeping
Johann Heinrich Roos
pen and brown ink over black chalk on laid paper · 1672
National Gallery of Art
Standing Male Figure: Study for a Portrait
Bartolomé Estebán Murillo
Pen and brown ink over black chalk underdrawing on off-white paper (recto); black chalk (verso) · 1670
The Metropolitan Museum of Art
The Harpies Attacking Aeneas and His Companions
Johann Carl Loth
pen and brown ink over black chalk, heightened with white, on gray-brown laid paper · 1670
National Gallery of Art
Massacre of the Innocents
Pietro Dandini
Pen and brown ink over black chalk on ivory laid paper, laid down on cream wove board · 1666
Art Institute of Chicago
Studies for an Education of the Virgin: Saint Anne Teaching the Virgin to Read
Sebastiano Ricci
Pen and brown ink over black chalk · 1659
The Metropolitan Museum of Art
The Vision of Saint Angelus
Pietro Testa
pen and brown ink over black chalk on laid paper, laid down on old mount · 1640
National Gallery of Art
The Resurrection
Pietro Testa
pen and brown ink over black chalk · 1640
National Gallery of Art
Sculpture of Venus and Cupid, with Mars' Armor
Jean Le Pautre, French
Pen and brown ink over black chalk on cream laid paper, perimeter mounted on cream wove card · 1638
Art Institute of Chicago
Sculpture of Venus and Cupid, with Mars' Armor
Jean Le Pautre
Pen and brown ink over black chalk on cream laid paper, perimeter mounted on cream wove card · 1638
Art Institute of Chicago
The Madonna and Child in Glory Adored by Saints
Giovanni Battista Paggi
pen and brown ink over black chalk, on buff laid paper, laid down on pale green paper · 1613
National Gallery of Art
Vision of St. Francis of Assisi (recto); Saint Jerome, Vision of Saint Francis, and Two Small Sketches of St. Francis Holding the Christ Child (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink with brush and brown wash, heightened with lead white, over black chalk, on tan laid paper, squared in black chalk (recto), and pen and brown ink over black chalk on tan laid paper (verso) · 1613
Art Institute of Chicago
Landscape with a Man Resting, Farm Houses, and a Castle
Remigio Cantagallina
pen and brown ink over black chalk on laid paper · 1600
National Gallery of Art