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Artworks

5,899 records · pen and brown ink
Grotesque with a Leaping Centaur (verso)
Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1560
Cleveland Museum of Art
Scenes from Ancient History, after Polidoro da Caravaggio
Scenes from Ancient History, after Polidoro da Caravaggio
Andrea Boscoli
Pen and brown ink, brush and brown wash · 1560
The Metropolitan Museum of Art
An Eagle
An Eagle
Titian
pen and brown ink on laid paper on decorated mount · 1560
National Gallery of Art
Grotesque with a Leaping Centaur (verso)
Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1560
Cleveland Museum of Art
Adoration of the Shepherds
Adoration of the Shepherds
Joachim Beuckelaer
pen and brown ink, gray wash on brown paper, squared in red chalk · 1560
The Metropolitan Museum of Art
Group of Figures (recto) Fragment of a Female Head (verso)
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli, called il Trometta, Italian
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago
Mars (or Alexander?) Distributing the Victor's Wreaths
Mars (or Alexander?) Distributing the Victor's Wreaths
Andrea Semino
Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on blue laid paper, squared in black chalk, tipped onto ivory laid paper · 1560
Art Institute of Chicago
Group of Figures (recto) Fragment of a Female Head (verso)
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago
Virgin and Child with Saints (recto); Study of Arm (verso)
Virgin and Child with Saints (recto); Study of Arm (verso)
Bartolomeo Ramenghi, the elder
Pen and brown ink and brush and brown wash heightened with lead white (partially oxidixed) (recto), and black chalk (verso), on tan laid paper, squared in red chalk · 1560
Art Institute of Chicago
Adoration of the Magi
Adoration of the Magi
Lattanzio Gambara
Pen and brown ink on cream laid paper · 1560
Art Institute of Chicago
The Triumph of Job
The Triumph of Job
Maerten van Heemskerck
pen and brown ink with traces of chalk and incising throughout on laid paper · 1559
National Gallery of Art
Landscape with a Moated Village
Landscape with a Moated Village
Small
pen and brown ink; framing lines in brown ink (bottom) · 1559
Cleveland Museum of Art
Adoration of the Magi
Adoration of the Magi
Lambert van Noort
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over traces of black chalk on buff laid paper · 1559
Art Institute of Chicago
Landscape with a Moated Village
Landscape with a Moated Village
Flemish
pen and brown ink; framing lines in brown ink (bottom) · 1559
Cleveland Museum of Art
Landscape with a Moated Village
Landscape with a Moated Village
Master of the Small Landscapes
pen and brown ink; framing lines in brown ink (bottom) · 1559
Cleveland Museum of Art
Baptism of Christ
Baptism of Christ
Bolognese
Pen and brown ink with brush and brown wash, heightened with lead white, partially oxidized, over black chalk, on tan laid paper, laid down on cream laid card · 1558
Art Institute of Chicago
Urania
Urania
Hendrik Goltzius
gray and brown chalk with pen and brown ink (the head, the undergarment, and the right hand are traced with pen and black ink) · 1558
National Gallery of Art
Head of an Apostle
Head of an Apostle
Hendrik Goltzius
pen and brown ink with brown and gray wash on laid paper · 1558
National Gallery of Art
Bacchanale with Putti
Bacchanale with Putti
Enea Salmeggia
Pen and brown ink on cream laid paper · 1558
Art Institute of Chicago
Bust of a Woman
Bust of a Woman
Luca Cambiaso
Pen and brown ink with brush and brown wash, heightened with lead white, over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1558
Art Institute of Chicago
Cavalry Skirmish (recto); Architectural Sketch (verso)
Cavalry Skirmish (recto); Architectural Sketch (verso)
Giorgio Vasari
Pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper (recto), and pen and brown ink on ivory laid paper (verso) · 1558
Art Institute of Chicago
Marriage of Henry II and Catherine de' Medici, The Dowry
Marriage of Henry II and Catherine de' Medici, The Dowry
Antoine Caron
Pen and brown ink, with brush and brown wash, heightened with lead-white gouache, on tan laid paper, laid down on cream wove paper · 1557
Art Institute of Chicago
Resurrected Christ
Resurrected Christ
L. Cambiaso
Pen and brown ink and brush and brown wash, on tan laid paper, laid down on cream laid paper · 1557
Art Institute of Chicago
Studies of Nudes and Human Heads (recto and on the verso)
Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci, Italian
Pen and brown ink over traces of graphite · 1557
The Metropolitan Museum of Art
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