Database / Artworks
Artworks
Virgin Mary and St. John the Evangelist Beholding a Vision of the Cross Held by Two Angels
Christoph Schwarz
Pen and brown ink with brush and gray wash, on cream laid paper, laid down on cream laid paper · 1565
Art Institute of Chicago
Holy Family with the Infant Saint John the Baptist
Hans Krumpper
Pen and brown ink · 1565
The Metropolitan Museum of Art
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Paolo Veronese
pen and brown ink (iron gall) and brush and brown wash · 1565
Cleveland Museum of Art
Landscape with Chateau on a Hill
Joos de Momper, II
pen and brown ink with brown wash and watercolor, heightened with white, on laid paper · 1564
National Gallery of Art
Seated Bishop
Abraham Bloemaert
pen and brown ink and chalk with brown wash heightened with white · 1564
National Gallery of Art
Muleteers and Mules
Giovanni Guerra
Pen and brown ink with brush and brown wash, on blue-gray laid paper · 1564
Art Institute of Chicago
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67
Giuseppe Arcimboldo
Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso) · 1564
The Metropolitan Museum of Art
Sketches of Heads
Luca Cambiaso
Pen and brown ink, on tan laid paper, laid down on ivory laid paper · 1563
Art Institute of Chicago
Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, Parma
Jacopo Zanguidi, called Bertoia, Italian
Pen and brown ink, brown wash Support: white wove paper · 1563
Cooper Hewitt, Smithsonian Design Museum
Study for Allegory of Two Quartieri of Florence
Giorgio Vasari
Pen and brown ink, on ivory laid paper, laid down on cream wove card · 1563
Art Institute of Chicago
Mocking of Christ
Giovanni Battista Castello
Pen and brown ink with brush and brown wash, on tan laid paper, squared in red and black chalk, laid down on ivory laid paper · 1562
Art Institute of Chicago
Standing Prophet with a Book and Scroll
Taddeo Zuccaro
Pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk · 1562
Art Institute of Chicago
The Last Judgment
Giorgio Vasari
pen and brown ink with brown wash over traces of red and black chalk, squared for transfer with black chalk, on cream laid paper · 1562
National Gallery of Art
Satan Challenges God to Remove his Protection from Job
Maerten van Heemskerck
pen and brown ink over traces of graphite on laid paper, incised for transfer · 1562
National Gallery of Art
The Bagpipe Player
Pieter Bruegel, the elder
pen and brown ink, with some incised lines, on laid paper; laid down · 1562
National Gallery of Art
Standing Prophet with a Book and Scroll
Taddeo Zuccaro, Italian
Pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk · 1562
Art Institute of Chicago
Saint Catherine Disputing with the Philosophers
Livio Agresti
Pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk, on cream laid paper, pieced · 1562
Art Institute of Chicago
Standing Prophet with a Book and Scroll
Taddeo Zuccaro
Pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk · 1562
Art Institute of Chicago
The Deluge
Andrea dei Michieli
Pen and brown ink with brush and brown wash, with touches of red and black chalk, on ivory laid paper · 1562
Art Institute of Chicago
Adoration of the Shepherds
Joachim Beuckelaer
pen and brown ink, gray wash on brown paper, squared in red chalk · 1560
The Metropolitan Museum of Art
Scenes from Ancient History, after Polidoro da Caravaggio
Andrea Boscoli
Pen and brown ink, brush and brown wash · 1560
The Metropolitan Museum of Art
View of St. John Lateran, Rome
Gillis van Coninxloo
Pen and brown ink, brown and blue washes · 1560
The Metropolitan Museum of Art
A Proverb: Wealth and Poverty
Karel van Mander II
Pen and brown ink, gray wash, heightened with white, on beige paper. · 1560
The Metropolitan Museum of Art
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago