Database / Artworks
Artworks
Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads
Taddeo Zuccaro, Italian
Pen and brown ink, brown wash, black chalk on gray paper · 1566
Cooper Hewitt, Smithsonian Design Museum
Design for a Tondo with Arms of Cardinal Giulio della Rovere
Niccolò Martinelli, called il Trometta, Italian
Pen and brown ink, brush and brown wash, white gouache over traces of black chalk on blue laid paper · 1566
Cooper Hewitt, Smithsonian Design Museum
Rest on Flight into Egypt
Christoph Schwarz
Pen and brown ink with graphite and brush and white gouache, on tan laid paper laid down on ivory laid card · 1565
Art Institute of Chicago
Virgin Mary and St. John the Evangelist Beholding a Vision of the Cross Held by Two Angels
Christoph Schwarz
Pen and brown ink with brush and gray wash, on cream laid paper, laid down on cream laid paper · 1565
Art Institute of Chicago
The Discovery of Glass
Giovanni Maria Butteri
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; stylus-ruled construction · 1565
The Metropolitan Museum of Art
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
The Creation of the Fish and the Birds
Johannes Wierix
Pen and brown ink on vellum · 1565
The Metropolitan Museum of Art
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Grotesque with a Satyr Feeding a Dragon (recto)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Paolo
pen and brown ink (iron gall) and brush and brown wash · 1565
Cleveland Museum of Art
Saint Jerome
Alessandro Vittoria
pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink · 1565
National Gallery of Art
Bacchus and Ceres
Jacques de Gheyn, II
pen and brown ink; piece of paper added on left, with additional drawing by a later hand in ink of a different color · 1565
National Gallery of Art
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Grotesque with a Satyr Feeding a Dragon (recto)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Madonna and Child in Glory above Three Saints
Giovanni Battista Paggi, Italian
pen and brown ink (iron gall) over black chalk(?) · 1565
Cleveland Museum of Art
Rest on Flight into Egypt
Guido Reni
Pen and brown ink with graphite and brush and white gouache, on tan laid paper laid down on ivory laid card · 1565
Art Institute of Chicago
Resurrection
Luca Cambiaso
Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1565
Art Institute of Chicago
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Ceiling Design with Mars Driving His Chariot
Lattanzio Gambara
Pen and brown ink, with traces of black chalk, heightened with lead white (partially oxidized), on tan laid paper · 1565
Art Institute of Chicago
Allegory of Forgetfulness
Giorgio Vasari
Pen and brown ink, brush and pale gray wash, over traces of black chalk, on beige paper · 1565
The Metropolitan Museum of Art
Allegory of Sleep
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of red chalk · 1565
The Metropolitan Museum of Art
The Flaying of Marsyas
Stradanus
Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washes · 1565
Cleveland Museum of Art