Database / Artworks
Artworks
Deposition
Luca Cambiaso
Pen and brown ink with brush and light brown wash, over black chalk, on ivory laid paper, laid down on cream laid board · 1570
Art Institute of Chicago
Holy Family with Saint Catherine
Luca Cambiaso
Pen and brown ink, on ivory laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Two Evangelists Conversing
Luca Cambiaso
Pen and brown ink on ivory laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Nativity (recto); Virgin and Child, Angel (verso)
Filippo Bellini
Pen and brown ink and graphite (recto), and graphie (verso), on ivory laid paper · 1570
Art Institute of Chicago
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Bernardino India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Standing Putto Seen From the Back
Bartolomeo Passarotti
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr
Bartolomeo Passarotti
Pen and brown ink on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Cupid Tied to a Tree
Giorgio Picchi
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid card · 1570
Art Institute of Chicago
God the Father with the Globe
Hans Krumpper
Pen and brown ink, gray wash · 1570
The Metropolitan Museum of Art
Studies for The Allegories of Love
Paolo Veronese
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
A Woman from Altmark
Melchior Lorck
Pen and brown ink; framing lines in brown ink · 1570
The Metropolitan Museum of Art
God the Father with Four Angels
Jacopo Bertoia
Pen and brown ink, brush and brown wash, over traces of black chalk · 1569
The Metropolitan Museum of Art
Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)
Giorgio Vasari
Pen and brown ink, with brush and brown wash, on cream laid paper, squared in graphite and red chalk (recto and verso) · 1569
Art Institute of Chicago
Sibyl in the Clouds
Luca Cambiaso
Pen and brown ink with brush and brown wash, on ivory laid paper, squared in red chalk, tipped onto ivory laid paper · 1568
Art Institute of Chicago
Saints Jerome and Francis of Assisi Adoring the Trinity
Bartolomeo Passarotti
Pen and brown ink with brush and brown wash, over graphite, on tan laid paper · 1568
Art Institute of Chicago
Saint Dominic Reading
Bartholomaeus Spranger
Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper · 1568
Art Institute of Chicago
Farm with Trees in a Hilly Landscape (verso)
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Farm with Trees in a Hilly Landscape
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Farm with Trees in a Hilly Landscape (recto)
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Pietà
L. Cambiaso
Pen and brown ink with brush and brown wash, heightened with lead white, on blue wove paper, laid down on ivory wove paper · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago