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Artworks

5,902 records · pen and brown ink
Studies for a Rest on the Flight into Egypt
Studies for a Rest on the Flight into Egypt
Rutilio Manetti
Pen and brown ink, brush and brown wash, over red chalk (the faint sketch of Saint Joseph and the donkey at left background is entirely in red chalk) · 1571
The Metropolitan Museum of Art
Adam and Eve Mourning the Death of Abel
Adam and Eve Mourning the Death of Abel
Coxie, Michiel, I
Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk; framing lines in pen and brown ink, by the artist; incised for transfer; verso covered with red chalk for transfer · 1571
The Metropolitan Museum of Art
Deposition, with Saint Francis of Assisi and Another Male Saint (Stephen?)
Deposition, with Saint Francis of Assisi and Another Male Saint (Stephen?)
Simone de Magistris
Pen and brown ink with brush and brown and red wash, heightened with white gouache, on cream laid paper, squared in black chalk, laid down on ivory board · 1571
Art Institute of Chicago
Holy Family in Joseph's Carpentry Shop
Holy Family in Joseph's Carpentry Shop
Jacopo da Empoli
Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper prepared with pink wash, laid down on cream wove paper · 1571
Art Institute of Chicago
Deposition, with Saint Francis of Assisi and Another Male Saint (Stephen?)
Deposition, with Saint Francis of Assisi and Another Male Saint (Stephen?)
Simone de Magistris
Pen and brown ink with brush and brown and red wash, heightened with white gouache, on cream laid paper, squared in black chalk, laid down on ivory board · 1571
Art Institute of Chicago
Aeneas and His Companions Preparing Animals for Sacrifice
Aeneas and His Companions Preparing Animals for Sacrifice
Avanzino Nucci
Pen and brown ink with brush and brown wash, heightened with white gouache, over traces of black chalk, on blue brown paper, pieced and laid down on cream wove paper · 1571
Art Institute of Chicago
Landscape with Lovers and Hunters
Landscape with Lovers and Hunters
Adam van Noort
Black chalk, pen and brown ink and brown wash · 1570
The Metropolitan Museum of Art
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
The Ruins of the Forum of Nerva, Rome, seen from the South-West
The Ruins of the Forum of Nerva, Rome, seen from the South-West
Bril, Matthijs, the younger
Pen and brown ink · 1570
The Metropolitan Museum of Art
A Mountainous River Landscape with a Hermit and a Chapel
A Mountainous River Landscape with a Hermit and a Chapel
Bril, Matthijs, the younger
Pen and brown ink, over black chalk; framing lines in brown ink along upper and right border · 1570
The Metropolitan Museum of Art
The Prodigal Son
The Prodigal Son
Hans Bol
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
The Crucifixion
The Crucifixion
Hans Bol
pen and brown ink with brown wash on laid paper · 1570
National Gallery of Art
Five Saints
Five Saints
Pieter de Jode I
pen and brown ink with brown wash over black chalk · 1570
National Gallery of Art
Disputation of Saint Catherine of Alexandria
Disputation of Saint Catherine of Alexandria
Federico Zuccaro
pen and brown ink and brown wash over graphite heightened with white, squared in graphite, on laid paper · 1570
National Gallery of Art
Deposition
Deposition
Luca Cambiaso
Pen and brown ink with brush and light brown wash, over black chalk, on ivory laid paper, laid down on cream laid board · 1570
Art Institute of Chicago
Holy Family with Saint Catherine
Holy Family with Saint Catherine
Luca Cambiaso
Pen and brown ink, on ivory laid paper · 1570
Art Institute of Chicago
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon
Federico Zuccaro
Pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper · 1570
Art Institute of Chicago
Two Evangelists Conversing
Two Evangelists Conversing
Luca Cambiaso
Pen and brown ink on ivory laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Nativity (recto); Virgin and Child, Angel (verso)
Nativity (recto); Virgin and Child, Angel (verso)
Filippo Bellini
Pen and brown ink and graphite (recto), and graphie (verso), on ivory laid paper · 1570
Art Institute of Chicago
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Bernardino India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Standing Putto Seen From the Back
Standing Putto Seen From the Back
Bartolomeo Passarotti
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
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