Database / Artworks
Artworks

Raking Hay (recto); Landscape (verso)
Arthur Dove
Pen and black ink and watercolor, with brush and black ink (recto), and pen and black ink (verso), on off-white wove paper · 1929
Art Institute of Chicago

Girl on a Cliff
Albert Daniel Rutherston
Pen and black ink and watercolor, with touches of blue chalk, on cream laid paper, laid down on cream woodpulp laminate board · 1909
Art Institute of Chicago

Mr. Max Beerbohm Receives an Influential, though Biased, Deputation, Urging him, in the Cause of Our Common Humanity, and of Good Taste, to Give Over
Max Beerbohm
Pen and black ink and watercolor, with graphite, on cream wove paper, laid down on ivory laminate board · 1908
Art Institute of Chicago

The Church at Les Arcs, Var, Provence
André Dunoyer de Segonzac
Pen and black ink and watercolor on cream bristol board, laid down on tan board · 1904
Art Institute of Chicago

Le Peril Anarchiste
Jean-Louis Forain
pen and black ink and watercolor on wove paper · 1897
National Gallery of Art

Woman with Umbrella
Childe Hassam
Pen and black ink and watercolor, heightened with white gouache on ivory wove paper · 1893
Art Institute of Chicago

Woman with Umbrella
Childe Hassam, American
Pen and black ink and watercolor, heightened with white gouache on ivory wove paper · 1893
Art Institute of Chicago

Woman with Umbrella
Childe Hassam
Pen and black ink and watercolor, heightened with white gouache on ivory wove paper · 1893
Art Institute of Chicago

Invitation to Mr. Whistler's "Ten O'clock"
James McNeill Whistler
Engraving in black with additions in pen and black ink and watercolor on tan card, with metal grommet · 1885
Art Institute of Chicago

Woman at Lattice Window
Kate Greenaway
Pen and black ink and watercolor, over traces of graphite, on ivory wove paper · 1866
Art Institute of Chicago

Study of a Male Nude
William Mulready
pen and black ink and watercolor with white gouache over graphite on wove paper · 1847
National Gallery of Art

Wall Elevation
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum

Side Wall with Doorway
Frederick Crace, English
interiors, drawing — pen and black ink and watercolors on wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Thibault
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Design for Stage Set for the Second Act of Elisca or L'Habitante de Madagascar
Charles Percier, French
pen and black ink and watercolor · 1798
Cleveland Museum of Art
Portrait of a Lady with an Elaborate Cartouche
Giuseppe Cades
Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite · 1785
Cleveland Museum of Art

Tivoli, Showing Rome in the Distance
Francis Towne
Pen and black ink and watercolor, with brush and black wash and touches of graphite, on ivory laid paper · 1776
Art Institute of Chicago

Tivoli, Showing Rome in the Distance
Francis Towne
Pen and black ink and watercolor, with brush and black wash and touches of graphite, on ivory laid paper · 1776
Art Institute of Chicago

Tivoli, Showing Rome in the Distance
Francis Towne
Pen and black ink and watercolor, with brush and black wash and touches of graphite, on ivory laid paper · 1776
Art Institute of Chicago
Roman Ruins, Villa Pamfili
Hubert Robert
Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper · 1774
Cleveland Museum of Art
Roman Ruins, Villa Pamfili
Hubert Robert
Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper · 1774
Cleveland Museum of Art
Roman Ruins, Villa Pamfili
Hubert Robert, French
Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper · 1774
Cleveland Museum of Art