Database / Artworks
Artworks
Design for Stained Glass Memorial Window to Thomas J. Post
Robert Winthrop Chanler, American
glasswares, drawing — pen and black ink, brush and opaque watercolors on tissue paper (mounted)
Cooper Hewitt, Smithsonian Design Museum
Design for Censer and Incense Holder with Alternative Suggestions
Luigi Righetti, Italian
metalwork, drawing — pen and black ink, brush and yellow, brown wash, graphite on light blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Palace Façade with Cartouche
Giovanni Battista Natali III, Italian
architecture, drawing — pen and black ink, brush and gray wash on laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Interior of Oriental Building
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and black ink, brush and gray and black wash on paper
Cooper Hewitt, Smithsonian Design Museum
Design for an Oil Lamp
Giovacchino Belli, Italian
lighting, drawing — pen and black ink, brush and gray, green, blue wash, graphite on paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design: Village in Hilly Landscape, for L'orfanella di Ginevra, ossia L'ombra di un vivo
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and gray wash, and graphite on laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Egyptian Courtyard
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and gray wash, watercolor, graphite on white laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Classical Loggia and Courtyard
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and watercolor, graphite on laid paper
Cooper Hewitt, Smithsonian Design Museum
Facade with the Arms of Pope Benedict XIII, Santa Maria Sopra Minerva, Rome, Italy
Ferdinando Fuga, Italian
architecture, drawing — pen and black ink, brush and gray wash on heavy cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Oval Saloon
Frederick Crace, English
interiors, drawing — pen and black ink, violet, red, and blue wash on wove paper
Cooper Hewitt, Smithsonian Design Museum
Detail from a Doctor's Engraved Thesis (Personification of Knowledge)
Johann Wolfgang Baumgartner, Austro–German
drawing — black chalk, pen and black ink, brush and ink wash on gray-blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design for the opera "L'Ultima giorno di Pompei," at La Scala, Milan, 1827
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and wash on off-white wove paper
Cooper Hewitt, Smithsonian Design Museum
Design for an Andiron
Luigi Righetti, Italian
metalwork, drawing — pen and black ink, brush and yellow, brown watercolor, graphite on light blue paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Fortified Castle Interior for "Ciro in Babilonia" by Gioachino Rossini, La Scala, Milan, 1818, "Prigione Sotterranea"
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and watercolor and wash on laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, A Queen's Apartment from the ballet "Il Conte d'Essex" by Gaetano Gioja, first performed at La Scala in 1818
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and wash on laid paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design, Courtyard of an Egyptian Temple
Antonio Giuseppe Basoli, Italian
theater, drawing — pen and black ink, brush and gray wash on paper
Cooper Hewitt, Smithsonian Design Museum
Azalées (Azaleas)
Louis Apollinaire Sicard, French
textile designs, drawing — brush and gouache, pen and black ink, graphite on cream paper, mounted on cream paper
Cooper Hewitt, Smithsonian Design Museum
Man with Hand Over His Eyes
John Califano
Pen and black ink, with brush and gray wash, and touches of black ink, on cream wove paper
Art Institute of Chicago
Court House Entrance, Perspective
Ludwig Mies van der Rohe
Pen and black ink on cream wove paper
Art Institute of Chicago
Court House, Interior Perspective
Ludwig Mies van der Rohe
Pen and black ink on cream wove paper
Art Institute of Chicago
Project for an Equestrian Monument for Foro Bonaparte
Felice Giani, Italian
Pen and black ink, brush and gray wash.
Cooper Hewitt, Smithsonian Design Museum
Stage Design: Columned Hall with Sculpture and Inscriptions Relating to the Aenead
Ludovico Ottavio Burnacini, Italian
Pen and black ink, brush and wash on wove paper
Cooper Hewitt, Smithsonian Design Museum
Design of Escutcheon and Draped Tablet
Leonardo Scaglia, French, active Italy
Pen and black ink, brush and gray wash, graphite on cream laid paper, lined
Cooper Hewitt, Smithsonian Design Museum
The Library at Dingestow
Charlotte Bosanquet, British
Brush and watercolor, pen and black ink, graphite on white wove paper
Cooper Hewitt, Smithsonian Design Museum