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Artworks

2,376 records · pen and black ink
Park Avenue Tower, New York, Perspective
Park Avenue Tower, New York, Perspective
Murphy/Jahn Architects
Water-based paint and airbrush, pen and black ink, over lithograph, on cream wove paper, laid down on cream laminated cardboard · 1982
Art Institute of Chicago
Park Avenue Tower, New York, Entrance Perspective
Park Avenue Tower, New York, Entrance Perspective
Murphy/Jahn Architects
Water-based paint and airbrush, pen and black ink, over lithograph, on cream wove paper, laid down on cream laminated cardboard · 1982
Art Institute of Chicago
New Neighborhood
New Neighborhood
William Steig
Pen and black ink and gray wash on ivory laid paper · 1982
Art Institute of Chicago
East Side
East Side
Arduino Cantàfora
Pen and black ink, over graphite, on ivory tracing paper · 1982
Art Institute of Chicago
Untitled (4.5.82)
Untitled (4.5.82)
Gerhard Richter
Pen and black ink and graphite on white wove paper · 1982
Art Institute of Chicago
In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk
In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk
Larry Lieber
Pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card · 1981
Art Institute of Chicago
Now Free from Electronic Control, The Hulk Grabs Angrily at the Inactive Remnant of His Endowment, from The Incredible Hulk
Now Free from Electronic Control, The Hulk Grabs Angrily at the Inactive Remnant of His Endowment, from The Incredible Hulk
Larry Lieber
Pen and black ink on ivory card with cut and pasted text · 1981
Art Institute of Chicago
Untitled
Untitled
Raymond Pettibon
Non-photo blue pencil and pen and black ink on ivory wove paper · 1981
Art Institute of Chicago
Highrise of Homes
Highrise of Homes
James N. Wines
Pen and black ink and brush and black and gray wash, with charcoal, on white wove paper · 1981
Art Institute of Chicago
House of Vice
House of Vice
José Luis Cuevas
Pen and black ink with extraneous gray wash on white wove paper · 1981
Art Institute of Chicago
Together or Alone III
Together or Alone III
John E. Dowell, Jr.
Watercolor and pen and black ink on ivory wove paper · 1981
Art Institute of Chicago
Parting of the Ways
Parting of the Ways
William Steig
Pen and black ink and watercolor on ivory wove paper · 1980
Art Institute of Chicago
Rain on Hiroshige Bridge IV
Rain on Hiroshige Bridge IV
Saul Steinberg
Pen and black ink, graphite, black and colored pencil and crayon, and rubber stamps in various colors, ruled in graphite, on ivory wove paper, folded · 1980
Art Institute of Chicago
Rain on Hiroshige Bridge II
Rain on Hiroshige Bridge II
Saul Steinberg
Pen and black ink, with watercolor, colored pencil and crayon, and rubber stamp in black ink, ruled in black pencil and graphite, on ivory wove paper, folded · 1980
Art Institute of Chicago
Rain on Hiroshige Bridge III
Rain on Hiroshige Bridge III
Saul Steinberg
Pen and black ink, with graphite, black and colored pencil, and rubber stamps in black and red ink, ruled in black pencil, on ivory wove paper, folded · 1980
Art Institute of Chicago
Panel Five from "The Incredible Bulk"
Panel Five from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Seven from "The Incredible Bulk"
Panel Seven from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Three from "The Incredible Bulk"
Panel Three from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel One from "The Incredible Bulk"
Panel One from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Four from "The Incredible Bulk"
Panel Four from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Two from "The Incredible Bulk"
Panel Two from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Six from "The Incredible Bulk"
Panel Six from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with blue and gray fiber-tipped pen, ruled with blue fiber-tipped pen over graphite on white card; notations in black and red fiber-tipped pen with correction in white correction fluid · 1979
Art Institute of Chicago
A Stranger Passes By
A Stranger Passes By
William Steig
Pen and black ink on ivory wove paper · 1979
Art Institute of Chicago
Untitled (Nancy)
Untitled (Nancy)
Jim Dine
Graphite and pen and black ink, with scraping and erasing, on cream wove paper · 1978
Art Institute of Chicago
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