Database / Artworks
Artworks

Carlton Room Divider
Ettore Sottsass
Wood and colored plastic laminate (formica) · 1981
Art Institute of Chicago

Untitled
Keith Haring
Flourescent paint and sumi ink on laminated canvas · 1981
Art Institute of Chicago

'Carlton' Room Divider
Ettore Sottsass
Plastic laminate and wood · 1981
Museum of Modern Art

Folding Newspaper Holder
Johannes Foersom
Laminated beechwood · 1981
Museum of Modern Art

"Celebrity Ties" Quilt
Grace C. Wagner
Silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed · 1980
Art Institute of Chicago

The Manhattan Transcripts Project, New York, New York, Introductory panel to Episode 3: The Tower (The Fall)
Bernard Tschumi
Photographic reproduction with colored synthetic laminate · 1980
Museum of Modern Art

The Manhattan Transcripts Project, New York, New York, Introductory panel to Episode 2: The Street (Border Crossing)
Bernard Tschumi
Photographic reproduction with colored synthetic laminate · 1980
Museum of Modern Art

The Manhattan Transcripts Project, New York, New York, Introductory panel to Episode 4: The Block
Bernard Tschumi
Photographic reproduction with colored synthetic laminate · 1980
Museum of Modern Art

The Manhattan Transcripts Project, New York, New York, Introductory panel to Episode 1: The Park
Bernard Tschumi
Photographic reproduction with colored synthetic laminate · 1980
Museum of Modern Art

San Francisco Project
Horia Damian
Gouache and graphite on ivory wood-pulp laminate board · 1979
Art Institute of Chicago

Ruck-A-Chucky Bridge, Auburn, California, Perspective
Myron Goldsmith
Pen and black ink over collage of laminated gray paper, with traces of graphite, on cream wove paper · 1978
Art Institute of Chicago

Untitled
Zarina
Laminated paper pierced with sewing needle · 1978
Art Institute of Chicago

K Armchair with Writing Wing
Hector Coronado
Laminated beech, foam cushions, and fabric upholstery · 1978
Museum of Modern Art

Solar Bronze Riser Vase
Thomas Patti
Blown laminated plate glass · 1978
Museum of Modern Art

Running Fence
Christo
Collage of parachute fabric stapled to cut wove card, with cut and pasted photocopies, on white wove paper, and pastel, crayons, and charcoal, on wood pulp laminate board · 1976
Art Institute of Chicago

Armchair
Shiro Kuramata
Laminated glass · 1976
Museum of Modern Art

Vase
Thomas Patti
Blown laminated plate glass · 1976
Museum of Modern Art

Telepathic Music No. 5
Robert Filliou
Thirteen music stands with playing cards and laminated offset cards · 1975
Museum of Modern Art

Savage Breeze
Helen Frankenthaler
Color woodcut from eight lauan mahogany plywood blocks on buff laminated Nepalese paper · 1974
Art Institute of Chicago

East and Beyond with Orange
Helen Frankenthaler
Color woodcut from eight lauan mahogany plywood blocks, with addition of orange crayon, on buff laminated Nepalese paper · 1973
Art Institute of Chicago

East and Beyond
Helen Frankenthaler
Color woodcut from eight lauan mahogany plywood blocks on buff laminated Nepalese paper · 1973
Art Institute of Chicago

East and Beyond
Helen Frankenthaler
Woodcut in black on buff laminated Nepalese paper · 1973
Art Institute of Chicago

Valley Curtain
Christo
Collage of orange fabric with graphite and colored pencils, with smudging and black ball-point pen, heightened with white acrylic, stapled to ivory wood-pulp laminate board · 1972
Art Institute of Chicago

Tuttuno
Carlo Bimbi
Plywood covered with plastic laminate · 1971
Museum of Modern Art