Database / Artworks
Artworks
Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two yellows, and pink watercolor on ivory wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago
Te po (The Night) from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid Japanese paper laid down on cream wove Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago
Te faruru (Here We Make Love), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on cream wove Japanese paper, laid down on cream laid Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago
Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery
Edwin Howland Blashfield, American
Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board · 1892
Art Institute of Chicago
Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery
Edwin Howland Blashfield
Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board · 1892
Art Institute of Chicago
Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery
Edwin Howland Blashfield
Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board · 1892
Art Institute of Chicago
Standing Female Nude, Looking in a Mirror
Frank Snapp
Gouache and watercolor, over graphite, on cream wood pulp laminate board · 1890
Art Institute of Chicago
Odes and Sonnets List of Drawings
Will Hicock Low
Brown and white gouache on tan wood-pulp laminate board · 1887
Art Institute of Chicago
Dedication (for Lamia)
Will Hicock Low
Black, white and gray gouache on cream wood pulp laminate board · 1885
Art Institute of Chicago
Checking His Love Trance, a Cup He Took Full Brimm'd
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
And Lycius' Arms Were Empty of Delight
Will Hicock Low
Brown and white gouache, over traces of black chalk, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
And in its Marriage Robe the Heavy Body Wound
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
And Shut the Chamber Up, Close, Hush'd and Still
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
He Met Within the Murmurous Vestibule, His Young Disciple
Will Hicock Low
Brown, gray and white gouache, with touches of black gouache, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
They All Moved to the Feast
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
The Sophist's Eye, Like a Sharp Spear, Went Through Her Utterly
Will Hicock Low
Black, gray and white gouache, with touches of black ink, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
It Was the Custom Then to Bring Away the Bride From Home
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
They Were Enthroned, in the Eventide, Upon a Couch - Head-Piece, Part II
Will Hicock Low
Brown, gray and white gouache, over traces of graphite, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
She Nothing Said, But Pale and Meek, Arose and Knelt Before Him
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
As One Came Near with Curl'd Gray Beard, Sharp Eyes, and Smooth Bald Crown
Will Hicock Low
Black, gray and white gouache, with traces of black chalk, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
Lycius, Look Back, and Be Some Pity Shown
Will Hicock Low
Gray and white gouache, with touches of brown gouache, on cream wood-pulp laminate board · 1885
Art Institute of Chicago
They had Arrived Before a Pillared Porch
Will Hicock Low
Black, gray and white gouache on cream wood-pulp laminate board · 1885
Art Institute of Chicago
Swooned Murmuring of Love, and Pale with Pain
Will Hicock Low
Black, gray and white gouache, with touches of black chalk, on cream wood-pulp laminate board · 1885
Art Institute of Chicago