Database / Artworks
Artworks

Garden Still Life
Paul Klee
Pen and black ink, and brush and black and gray wash, on ivory wove paper, laid down on ivory laminate wood-pulp board · 1913
Art Institute of Chicago

Buildings, One with Tower
John Marin
Watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board · 1910
Art Institute of Chicago

Side Chair
George Grant Elmslie
Oak, laminated wood, leather, jute webbing, and horsehair · 1910
Art Institute of Chicago

Plate 115 from The Plan of Chicago
Daniel Hudson Burnham
Pen and black ink with brush and translucent and opaque watercolors over graphite on paper-faced laminate board · 1909
Art Institute of Chicago

Plate 51 from The Plan of Chicago
Daniel Hudson Burnham
Brush and transparent and opaque watercolors over graphite on paper-faced laminate board · 1909
Art Institute of Chicago

Girl on a Cliff
Albert Daniel Rutherston
Pen and black ink and watercolor, with touches of blue chalk, on cream laid paper, laid down on cream woodpulp laminate board · 1909
Art Institute of Chicago

Mills and Footbridge, Meaux
John Marin
Watercolor with touches of blotting, over traces of graphite, on lightweight, moderately textured, ivory wove paper, laid down on off-white wood-pulp laminate board · 1908
Art Institute of Chicago

Mr. Max Beerbohm Receives an Influential, though Biased, Deputation, Urging him, in the Cause of Our Common Humanity, and of Good Taste, to Give Over
Max Beerbohm
Pen and black ink and watercolor, with graphite, on cream wove paper, laid down on ivory laminate board · 1908
Art Institute of Chicago

Hilly Landscape with River
Henri Joseph Harpignies
Watercolor, with pen and black ink, with scraping, on cream laid paper, laminated on cream wove card · 1908
Art Institute of Chicago

Sir William Eden Revisiting Paris
Max Beerbohm
Graphite and watercolor, with pen and black ink, on cream wove paper, laid down on ivory laminate board · 1907
Art Institute of Chicago

Head of a Woman
Georges Rouault
Gouache, with touches of pen and brown ink, over blue crayon on tan wove paper, laid down on tan wood-pulp laminate board · 1904
Art Institute of Chicago

Side Chair
Josef Hoffmann
Bent beechwood, laminated wood, red leather seat · 1903
Art Institute of Chicago

Side Chair, Model No. 371
Josef Hoffmann
Beech and wood laminate · 1901
Art Institute of Chicago

Reclining Armchair
Josef Hoffmann
Beechwood laminate and metal · 1900
Art Institute of Chicago

Self-Portrait
László Moholy-Nagy
Pen and brush and black ink, on ivory wove paper, laid down on white laminate board · 1900
Art Institute of Chicago

Te Atua (The Gods) Small Plate
Paul Gauguin
two laminated woodcuts on Japanese paper, double-mounted on wove paper · 1898
National Gallery of Art

Waiting to Go On Stage
Laura Knight
Watercolor and gouache, with charcoal, on ivory wove paper (discolored to cream), laid down on ivory wood-pulp laminate board · 1897
Art Institute of Chicago

Richard Bone, Illustration for Spoon River Anthology
Boardman Robinson
Gouache and graphite on cream wood-pulp laminate board · 1896
Art Institute of Chicago

Oscar Wilde and Whistler
MAY
Pen and black ink, with black crayon and touches of blue crayon, on ivory laminate board · 1894
Art Institute of Chicago

"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine
Frederic Remington
Brush and black gray wash heightened with white gouache over graphite, on cream laminate board · 1894
Art Institute of Chicago

Oviri
Paul Gauguin
Wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894
Art Institute of Chicago

Oviri
Paul Gauguin
Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894
Art Institute of Chicago

Mr. and Mrs. Raymond Johnson
Anders Zorn
Graphite, with touches of erasing, on gray wood-pulp laminate board · 1893
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid Japanese paper, laid down on ivory wove Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago