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Artworks

189 records · ink and graphite
Title Page
Title Page
François de Cuvilliés the younger, German
ornament, print — black ink and graphite on off-white laid paper · 1745
Cooper Hewitt, Smithsonian Design Museum
Angelica and Medoro
Angelica and Medoro
Giovanni Battista Cipriani
pen and black ink with brown and gray wash over graphite on laid paper; verso, design of four concentric circles surrounding laurel wreath drawn on verso in pen and black ink and graphite · 1727
National Gallery of Art
Figure Studies [verso]
Figure Studies [verso]
Giovanni Battista Cipriani
pen and black ink and graphite on laid paper · 1727
National Gallery of Art
Literary Illustration with Gentleman and Two Ladies in Interior
Literary Illustration with Gentleman and Two Ladies in Interior
Gravelot
Pen and brown ink and graphite, over red chalk, on buff laid paper, laid down on ivory laid paper · 1719
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Guercino, Italian
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Guercino
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Imitator of Guercino
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Guercino
Pen and brown ink, with brush and gray and brown wash (recto) and pen and brown ink and graphite (verso), on cream laid paper · 1615
Art Institute of Chicago
Study of Eleven Heads
Study of Eleven Heads
Jacques de Gheyn, II
Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite · 1575
The Metropolitan Museum of Art
[title not known]
[title not known]
British School
Watercolour, ink and graphite on paper
Tate
[title not known]
[title not known]
British School
Watercolour, ink and graphite on paper
Tate
Shore Scene with Shipping. Verso: Hilly Landscape
Shore Scene with Shipping. Verso: Hilly Landscape
Thomas Stothard
Watercolour, ink and graphite on paper. Verso: graphite on paper
Tate
The Agony in the Garden, ?after Raphael. Verso: Sketch of a Girl Extending her Hand to a Man
The Agony in the Garden, ?after Raphael. Verso: Sketch of a Girl Extending her Hand to a Man
Thomas Stothard
Ink and graphite on paper. Verso: ink on paper
Tate
Designs for an Illustration to ‘Rob Roy’: Preliminary Sketches. Verso: Sketches for the Same Subject
Designs for an Illustration to ‘Rob Roy’: Preliminary Sketches. Verso: Sketches for the Same Subject
Thomas Stothard
Ink and graphite on paper. Verso: ink and graphite on paper
Tate
Stables at the Old Priory, Dover
Stables at the Old Priory, Dover
William Henry Hunt
Watercolour, ink and graphite on paper
Tate
Design for Badge for Gillum’s Homes
Design for Badge for Gillum’s Homes
Ford Madox Brown
Ink and graphite on paper
Tate
Study of a Group of Goats
Study of a Group of Goats
Sawrey Gilpin
Pen and ink and graphite on paper
Tate
A Horse and Two Cows near a Farm Building
A Horse and Two Cows near a Farm Building
Sawrey Gilpin
Pen and ink and graphite on paper
Tate
Composition Study of Cows in a Stream with Wooded Banks
Composition Study of Cows in a Stream with Wooded Banks
Sawrey Gilpin
Ink wash, pen and ink and graphite on paper
Tate
Skandia Cinema, Stockholm, Sweden, Perspective of staircase
Skandia Cinema, Stockholm, Sweden, Perspective of staircase
Erik Gunnar Asplund
Ink and graphite on tracing paper mounted on board
Museum of Modern Art
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