Database / Artworks
Artworks
Mother and Three Children
Jacopo Amigoni
Brush and gray ink, with wash and traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1700
Art Institute of Chicago
Seascape
Claude Lorrain
Pen and black ink and brush and gray wash on tan laid paper, laid down on tan laid card · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. I
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Head of Boy Wearing Hat in Profile
Giovanni Battista Piazzetta
Black chalk on blue laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Moses Drawing Water from the Rock
Charles Le Brun
Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco
Oil on canvas · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Gleitsmann
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphaele Shirley
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
View of an Italian Villa and Gardens (the Belvedere of the Vatican)
Jean Jacques de Boissieu
Brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Standing Man
Romeyn de Hooghe
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Portrait of Hyacinthe Rigaud
Pierre Drevet
Engraving on ivory wove paper · 1700
Art Institute of Chicago
Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Navot
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Asante Malik
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Asante Malik
Copper alloy · 1700
Art Institute of Chicago