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Artworks

11,727 records · gold · Met Museum
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso).
Marco Angolo del Moro
Pen and brown ink, brush and wash over traces of black chalk or graphite (recto); pen and brown ink over red chalk (verso) · 1537
The Metropolitan Museum of Art
Pietro Bacci Aretino (1492–1556)
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Katharina Merian
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Fame
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Study of a Young Woman in Three-quarter Bust-Length
Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Term in the Form of a Woman with Musical Instrument
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Term in the Form of an Old Man Warming His Hands
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mary Magdalen carried to Heaven
Mignon
Etching · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Landscape with a Satyr
Landscape with a Satyr
Domenico Campagnola, Italian
Pen and brown ink, touches of darker ink on the hut at center. · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Close Helmet
Close Helmet
Wolfgang Grosschedel
Steel, leather, copper alloy · 1535
The Metropolitan Museum of Art
Four Doctors of the Church
Four Doctors of the Church
Domenico Beccafumi
Chiaroscuro woodcut in two blocks in light green · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
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