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Artworks

146 records · etching with drypoint
Bridge Over Canal, Amsterdam
Bridge Over Canal, Amsterdam
John Marin
Etching with drypoint, selectively wiped, on ivory Japanese paper · 1906
Art Institute of Chicago
Lincoln's Inn Fields
Lincoln's Inn Fields
Joseph Pennell
Etching with drypoint on upper tree branches on ivory laid paper · 1905
Art Institute of Chicago
Cannon Street Station, from the River
Cannon Street Station, from the River
Joseph Pennell
Etching with drypoint in foreground on ivory laid paper · 1905
Art Institute of Chicago
Pride, from The Deadly Sins
Pride, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
The Alcazar, Toledo
The Alcazar, Toledo
Joseph Pennell
Etching with drypoint on ivory wove paper · 1904
Art Institute of Chicago
Sloth, from The Deadly Sins
Sloth, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1902
Art Institute of Chicago
Das Mappenwerk der Insel
Das Mappenwerk der Insel
Max Liebermann
etching with drypoint · 1900
National Gallery of Art
Hop-Frog's Revenge
Hop-Frog's Revenge
James Ensor
Etching with drypoint on copper in black with hand-coloring on cream wove (simili-Japan) paper · 1898
Art Institute of Chicago
The Entry of Christ into Brussels
The Entry of Christ into Brussels
James Ensor
Etching with drypoint on copper in black with hand-coloring on cream wove paper · 1898
Art Institute of Chicago
Napoleon's Farewell
Napoleon's Farewell
James Ensor
Etching with drypoint from a copper plate, on cream wove paper · 1897
Art Institute of Chicago
Napoleon's Farewell
Napoleon's Farewell
James Ensor
Etching with drypoint on copper in black with hand-coloring on cream wove paper · 1897
Art Institute of Chicago
The Devils Dzitts and Hihanox Leading Christ to Hell
The Devils Dzitts and Hihanox Leading Christ to Hell
James Ensor
Etching with drypoint on copper in black on cream wove paper · 1895
Art Institute of Chicago
Christ Tormented by Demons
Christ Tormented by Demons
James Ensor
Etching with drypoint and plate tone on copper in black on cream wove paper · 1895
Art Institute of Chicago
The Destroying Angel
The Destroying Angel
James Ensor
Etching with drypoint on copper in black on cream Japanese paper · 1889
Art Institute of Chicago
Roman Victory
Roman Victory
James Ensor
Etching with drypoint on copper in black with plate tone on cream wove paper · 1889
Art Institute of Chicago
The Garden of Love
The Garden of Love
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on cream wove paper · 1888
Art Institute of Chicago
Extraordinary Musicians
Extraordinary Musicians
James Ensor
Etching with drypoint on zinc in black on cream wove (simili-Japan) paper · 1888
Art Institute of Chicago
Storm at the Edge of the Wood
Storm at the Edge of the Wood
James Ensor
Etching with drypoint from a zinc plate, on cream wove paper · 1888
Art Institute of Chicago
Binding the Hair
Binding the Hair
James McNeill Whistler
Etching with drypoint in black ink on cream laid paper · 1887
Art Institute of Chicago
Casa di Dante da Castiglione
Casa di Dante da Castiglione
Telemaco Signorini
Etching with drypoint on cream wove paper · 1886
Art Institute of Chicago
Dordrecht
Dordrecht
James McNeill Whistler
Etching with drypoint in black ink on cream laid paper · 1886
Art Institute of Chicago
Temple Bar
Temple Bar
Joseph Pennell
etching with drypoint · 1885
National Gallery of Art
Camille Pissarro, A Self-Portrait
Camille Pissarro, A Self-Portrait
Camille Pissarro
Etching with drypoint in black on cream laid paper · 1885
Art Institute of Chicago
The Sleeping Model
The Sleeping Model
Albert Besnard
Etching with drypoint, aquatint and roulette on ivory wove paper · 1885
Art Institute of Chicago
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