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Artworks

283 records · etching and aquatint on paper
Au Cirque
Au Cirque
Michael Ayrton
Etching and aquatint on paper · 1939
Tate
Hatchet Cove, Maine
Hatchet Cove, Maine
Kerr Eby
etching and aquatint on paper · 1938
Smithsonian American Art Museum
Hurricane's End
Hurricane's End
Kerr Eby
etching and aquatint on paper · 1938
Smithsonian American Art Museum
Hurricane's End
Hurricane's End
Kerr Eby
etching and aquatint on paper · 1938
Smithsonian American Art Museum
Design Steel
Design Steel
Blanche Mary Grambs
Etching and aquatint on paper · 1937
Art Institute of Chicago
Shadows
Shadows
Kerr Eby
etching and aquatint on paper · 1936
Smithsonian American Art Museum
Refugees
Refugees
Kerr Eby
etching and aquatint on paper mounted on paperboard · 1935
Smithsonian American Art Museum
September 13th, 1918, Saint-Mihiel
September 13th, 1918, Saint-Mihiel
Kerr Eby
etching and aquatint on paper · 1935
Smithsonian American Art Museum
Kentucky Barnyard
Kentucky Barnyard
Edward Timothy Hurley
etching and aquatint on paper · 1935
Smithsonian American Art Museum
Ledges
Ledges
Charles H. Woodbury
etching and aquatint on paper · 1933
Smithsonian American Art Museum
Le Soir
Le Soir
Louis Marcoussis
Color etching and aquatint on paper · 1932
Art Institute of Chicago
Shadows of Venice
Shadows of Venice
John Taylor Arms
Etching and aquatint on paper · 1930
Art Institute of Chicago
The Poultry Man
The Poultry Man
George Overbury ("Pop") Hart
etching and aquatint on paper · 1929
Smithsonian American Art Museum
Day's End, Driftway
Day's End, Driftway
Kerr Eby
etching and aquatint on paper · 1929
Smithsonian American Art Museum
The Matinee
The Matinee
George Overbury ("Pop") Hart
softground etching and aquatint on paper · 1926
Smithsonian American Art Museum
Untitled, plate 6 from Cosi Fan Tutti
Untitled, plate 6 from Cosi Fan Tutti
Roberto Matta
Color etching and aquatint on paper · 1926
Art Institute of Chicago
Cattle Ford
Cattle Ford
Kerr Eby
etching and aquatint on paper · 1924
Smithsonian American Art Museum
Dias de Fiesta #1
Dias de Fiesta #1
George Overbury ("Pop") Hart
softground etching and aquatint on paper · 1924
Smithsonian American Art Museum
Dias de Fiesta #2
Dias de Fiesta #2
George Overbury ("Pop") Hart
softground etching and aquatint on paper · 1924
Smithsonian American Art Museum
The Bad Grain will Sprout Tomorrow, rejected plate from Miserere
The Bad Grain will Sprout Tomorrow, rejected plate from Miserere
Georges Rouault
Etching and aquatint on paper · 1922
Art Institute of Chicago
Arizona Night
Arizona Night
George Elbert Burr
etching and aquatint on paper · 1920
Smithsonian American Art Museum
Old Cottonwoods, Colorado
Old Cottonwoods, Colorado
George Elbert Burr
etching and aquatint on paper · 1920
Smithsonian American Art Museum
Connecticut Hills
Connecticut Hills
Joseph C. Claghorn
softground etching and aquatint on paper · 1920
Smithsonian American Art Museum
Doorway to Illusion
Doorway to Illusion
Arthur B. Davies
soft-ground etching and aquatint on paper · 1919
Smithsonian American Art Museum
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