Database / Artworks
Artworks
Upway Landscape No. 1, State II/III
Fred Williams
Etching, engraving and drypoint · 1965
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Etching, engraving and drypoint, with hand additions · 1946
Museum of Modern Art
Greetings: Laughing Monster
Louise Bourgeois
Etching, engraving and drypoint · 1946
Museum of Modern Art
The Clock Tower, Paris
Charles Méryon
Etching, engraving and drypoint (plate has been scraped and burnished) on ivory wove chine, laid down on ivory laid paper · 1852
Art Institute of Chicago
Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory chine, laid down on white wove paper · 1844
Art Institute of Chicago
If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on off-white China paper, laid down on cream wove paper · 1844
Art Institute of Chicago
Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on white wove paper · 1844
Art Institute of Chicago
Jan Lutma
Rembrandt van Rijn
etching, engraving and drypoint on laid paper · 1656
National Gallery of Art
Pietà (the "Christ of Caprarola")
Annibale Carracci
etching, engraving and drypoint · 1597
National Gallery of Art