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Artworks

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Echan perros al toro (They Loose Dogs on the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art