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Artworks

13 records · drypoint and open bite
The Day After
The Day After
Edvard Munch
Drypoint and open bite etching in black ink on lightweight ivory wove paper, laid down on heavyweight off-white wove paper (chine collé) · 1894
Art Institute of Chicago
The Day After
The Day After
Edvard Munch
Drypoint and open bite on cream wove paper · 1894
Art Institute of Chicago
Study of a Model
Study of a Model
Edvard Munch
Drypoint and open bite etching in black on off-white wove plate paper · 1894
Art Institute of Chicago
Consolation
Consolation
Edvard Munch
Drypoint and open bite in black on cream wove paper · 1894
Art Institute of Chicago
The Palaces
The Palaces
James McNeill Whistler
etching, drypoint and open bite on laid paper · 1880
National Gallery of Art
The Palaces
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
The Palaces
James McNeill Whistler
Etching, drypoint and open bite in black ink on ivory laid paper · 1879
Art Institute of Chicago
Under Old Battersea Bridge
Under Old Battersea Bridge
James McNeill Whistler
Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1876
Art Institute of Chicago
The Piano
The Piano
James McNeill Whistler
Drypoint and open bite in black ink on off-white laid paper · 1875
Art Institute of Chicago
F. R. Leyland
F. R. Leyland
James McNeill Whistler
Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
F. R. Leyland
F. R. Leyland
James McNeill Whistler
etching, drypoint and open bite on "japon mince" paper · 1870
National Gallery of Art