Database / Artworks
Artworks
Untitled, plate 5 of 5, from the illustrated book, and plate 5 of 7, from the portfolio, Metamorfosis
Louise Bourgeois
Drypoint and engraving, with hand additions · 1997
Museum of Modern Art
Act IV, Scene 1, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act IV, Scene 5, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act I, Scene 2, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act III, Scene 9, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act V, Scene 4, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act II, Scene 5, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act III, Scene 4, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Act I, Scene 1, from UBU Tells the Truth
William Kentridge
Etching with soft ground, aquatint, drypoint and engraving on Fabriano Rosapina Bianco paper · 1996
Art Institute of Chicago
Triptych for the Red Room
Louise Bourgeois
Drypoint and engraving · 1994
Museum of Modern Art
Hinged Landscape—Short Distance
Louise Bourgeois
Drypoint and engraving · 1990
Museum of Modern Art
Casspirs Full of Love
William Kentridge
Drypoint and engraving with roulette · 1989
Museum of Modern Art
Nancy Outside in July VIII
Jim Dine
Hard and soft ground etching, drypoint and engraving from one copper plate on gray wove paper · 1980
Art Institute of Chicago
Nancy Outside in July IX: March in Paris (Tulips) from the series Nancy in July
Jim Dine
Aquatint, etching, drypoint and engraving with pastel and watercolor additions · 1980
Museum of Modern Art
Upright Slab
Ron Davis
Color aquatint, etching, drypoint and engraving on white wove paper, with colored pulp additions · 1975
Art Institute of Chicago
Symbolic Silence
Vera Berdich
Color etching with soft ground, aquatint, drypoint and engraving, on cream wove paper · 1963
Art Institute of Chicago
Sherbrooke Forest No. 8, State IV/IV
Fred Williams
Aquatint, etching, drypoint and engraving · 1962
Museum of Modern Art
Composition with a Woman (Composition avec une femme) (double page plate) from Un Poème dans chaque livre
Pablo Picasso
Drypoint and engraving from an illustrated book with seven etchings (three with aquatint, one with aquatint, drypoint, engraving, and roulette), three drypoints (one with engraving), two aquatints, two woodcuts, one engraving, and one lithograph · 1956
Museum of Modern Art
Nude with a Candle (plate, page 25) from the illustrated book À Haute Flamme
Pablo Picasso
Drypoint and engraving · 1955
Museum of Modern Art
In-text plate (folio 27) from Chevaux de minuit
Pablo Picasso
Drypoint and engraving from an illustrated book with eleven drypoints (two with engraving) and two engravings · 1955
Museum of Modern Art
In-text plate (folio 21) from Chevaux de minuit
Pablo Picasso
Drypoint and engraving from an illustrated book with eleven drypoints (two with engraving) and two engravings · 1955
Museum of Modern Art
Double page in-text plate (folios 1 verso and 2) from the illustrated book La Maigre
Pablo Picasso
Drypoint and engraving · 1951
Museum of Modern Art
Narrow Street
Armin Landeck
Drypoint and engraving on ivory wove paper · 1949
Art Institute of Chicago
Au comte de Villamediana, grand amateur de pierres précieuses, de chevaux et de tableaux from Vingt poëmes
Pablo Picasso
Drypoint and engraving from an illustrated book with 26 aquatints (ten with drypoint, six with engraving, and two with etching), 14 drypoints (one with engraving), and one engraving · 1947
Museum of Modern Art