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Artworks

Double page plate (folios 7 verso and 8) from Ouzel
Ay-O
Crayon drawing from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art

Double page plate (folios 5 verso and 6) from Ouzel
Ay-O
Offset lithograph from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art

Inside folder front from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art

Double page plate (folios 15 verso and 16) from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
![Untitled Sketchbook [Working Study for Soot Series]](/api/images/artworks/aic/273728.jpg)
Untitled Sketchbook [Working Study for Soot Series]
Deborah Remington
Sketchbook with drawings in graphite, pen and black ink, red and black colored pencil, and red crayon, with collaged elements and touches of paint · 1969
Art Institute of Chicago

Artist's Sketchbook
Ed Flood
Spiral-bound book with forty-five pages of drawings in graphite, black and colored fiber-tipped pens, watercolor, blue and black ballpoint pens, brush and gray wash, and collage of commercially printed papers, cut and laid down on ivory wove paper, with four loose sheets, including two magazine pages, Osco drug store receipt, and one drawing in graphite and watercolor on ivory wove paper, bound in woodpulp board · 1969
Art Institute of Chicago

Untitled Sketchbook
Evelyn Statsinger
Sketchbook, with drawings in colored pencils and graphite, with cut-outs, on cream wove paper · 1968
Art Institute of Chicago

10° #2
Robert Barry
11 drawings, ink on polar coordinate paper · 1968
Museum of Modern Art

Untitled
Roger Brown
Twenty drawings in pen, marker, crayon, and touches of watercolor on cream wove paper, laid down on ivory card · 1967
Art Institute of Chicago

Untitled Sketchbook (Woodlawn)
Evelyn Statsinger
Sketchbook with drawings in colored pencils and graphite, with cut-outs, on cream wove paper · 1967
Art Institute of Chicago

Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art
James Ingo Freed
Four identical 3-ring binders each with 100 photocopies of studio notes, working drawings, and diagrams collected by the artist · 1966
Museum of Modern Art

Untitled (exquisite corpse birthday card for Guy Meiss)
Philip Hanson
Four drawings in pen, marker, and crayon on cream wove paper, laid down on off-white card · 1965
Art Institute of Chicago

Sketchbook
Deborah Remington
Sketchbook with drawings in graphite, pen and black ink, and red and orange colored pencil, with touches of paint · 1965
Art Institute of Chicago

Melvin J. Wilson Collection
Fujikawa, Johnson & Associates
Color slides, black and white photographs, color photographs, architectural drawings, printed papers, correspondence, photocopies and VHS videocassettes. · 1960
Art Institute of Chicago

Bullfighter and Young Lady (Torero y señorita) (unbound plate) from Le Carmen des Carmen
Pablo Picasso
Lithograph from an illustrated book with three aquatints (one with etching), one drypoint, and one lithograph, plus 91 collotype reproductions of drawings · 1960
Museum of Modern Art

Picador at Rest (Picador au repos) (unbound plate) from Le Carmen des Carmen
Pablo Picasso
Drypoint from an illustrated book with three aquatints (one with etching), one drypoint, and one lithograph, plus 91 collotype reproductions of drawings · 1960
Museum of Modern Art

691
Francis Picabia
Letterpress on white wove paper; two wove paper cut-out designs (one loose); two photolithographs after drawings, one line block reproduction of a hand-written note in blue on buff wove paper; one line block reproduction of hand-written shape poem in black on graph paper watermarked P.J.A. VELIN · 1959
Art Institute of Chicago

Untitled Sketchbook (El Cerrito, Calif..)
Evelyn Statsinger
Sketchbook with drawings in brush and colored inks, with pen and black ink, on cream laid paper · 1957
Art Institute of Chicago

Untitled Sketchbook (El Cerrito, Calif.)
Evelyn Statsinger
Sketchbook with drawings in brush and colored inks, with pen and black ink on cream laid paper · 1957
Art Institute of Chicago

Les Ménines et La Vie
Pablo Picasso
Illustrated book with 1 engraving and drypoint ("Young Lady in Waiting"; unbound plate); and photolithographic reproductions after paintings and drawings · 1957
Museum of Modern Art

Untitled Sketchbook (Ellis Ave.)
Evelyn Statsinger
Sketchbook with drawings in graphite and pen and black ink on cream and brown laid paper · 1956
Art Institute of Chicago

Herb Greene Papers
Herb Greene
Typescript papers, printed papers, architectural drawings, slides, photocopies and photographs. · 1956
Art Institute of Chicago

Untitled Sketchbook (Sketches)
Evelyn Statsinger
Sketchbook with drawings in pen and black ink on cream laid paper · 1955
Art Institute of Chicago

Hélène Chez Archimède
Pablo Picasso
Illustrated book with 22 wood engraved reproductions (executed by Georges Aubert after Picasso drawings); and suite · 1955
Museum of Modern Art