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65 records · crayon on wove paper
MoMAMet MuseumArt Institute ChicagoCleveland MuseumShow all
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Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ..."
Ceux de la premiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"? ..."
Jean-Louis Forain
black crayon on wove paper · 1914
National Gallery of Art
a) German Soldiers and French Child (recto); b) Woman and Child (verso)
a) German Soldiers and French Child (recto); b) Woman and Child (verso)
Jean-Louis Forain
a) black crayon and watercolor on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
En somme ca n'est que du "materiel humain."
En somme ca n'est que du "materiel humain."
Jean-Louis Forain
brush and black ink and black crayon on wove paper · 1914
National Gallery of Art
a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso)
a) Two French Soldiers near a Notice Board (recto); b) Nursemaid and Children with Horse or Donkey (verso)
Jean-Louis Forain
a) brush and black ink with brown wash on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso)
a) Kammerade. Porquoi cette froideur? (recto); b) Study for German Figure (verso)
Jean-Louis Forain
a) black crayon on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
German Advance
German Advance
Jean-Louis Forain
brush with black and brown ink and black crayon on wove paper · 1914
National Gallery of Art
a) Refugees (recto); b) No 2 (verso)
a) Refugees (recto); b) No 2 (verso)
Jean-Louis Forain
a) brush and black ink and blue crayon on wove paper b) blue crayon on wove paper · 1914
National Gallery of Art
a) Bolo pacha (recto); Study for Bolo pacha (verso)
a) Bolo pacha (recto); Study for Bolo pacha (verso)
Jean-Louis Forain
a) brush and black ink and black crayon, with corrections by the artist in white opaque watercolor, on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso)
a) L'Englise de leurs peres (recto); b) Man with Cigarette (verso)
Jean-Louis Forain
a) brush and black ink and black crayon on wove paper b) brush and black ink on wove paper · 1914
National Gallery of Art
a) Le replis boche (recto); b) Sketch for the Figure of the German (verso)
a) Le replis boche (recto); b) Sketch for the Figure of the German (verso)
Jean-Louis Forain
a) brush with black ink, watercolor, and black crayon on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
a) C'etait notre maison (recto); b) Refugees in a Landscape (verso)
a) C'etait notre maison (recto); b) Refugees in a Landscape (verso)
Jean-Louis Forain
a) black crayon, watercolor, and white opaque watercolor on wove paper b) brush and black ink and black crayon on wove paper · 1914
National Gallery of Art
a) C'est trop dangereux pres de votre ambulance (recto); b) Study of Mother and Children (verso)
a) C'est trop dangereux pres de votre ambulance (recto); b) Study of Mother and Children (verso)
Jean-Louis Forain
a) brush and black ink and black crayon with watercolor on wove paper b) black crayon on wove paper · 1914
National Gallery of Art
Elles étaient à lacets
Elles étaient à lacets
Jean-Louis Forain
watercolor and black crayon on wove paper · 1914
National Gallery of Art
Avant la fête persanne
Avant la fête persanne
Jean-Louis Forain
brush and black ink, wash, and black crayon on wove paper · 1912
National Gallery of Art
Study for "Riverfront No. 1"
Study for "Riverfront No. 1"
George Bellows
conté crayon on wove paper · 1910
National Gallery of Art
Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects
Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects
Gustav Klimt
black and blue crayon on wove paper · 1901
National Gallery of Art
Preliminary Drawing for "A Donkey-Team (Attelage d'ânes)"
Preliminary Drawing for "A Donkey-Team (Attelage d'ânes)"
Bernard Boutet de Monvel
graphite and black conté crayon on wove paper · 1900
National Gallery of Art
The Annunciation to the Shepherds
The Annunciation to the Shepherds
Charles Angrand
charcoal with conté crayon on wove paper · 1894
National Gallery of Art
Chamber
Chamber
Robert Frederick Blum, American
Graphite, pastel crayon on wove paper · 1892
Cooper Hewitt, Smithsonian Design Museum
Scribbles; Two Shapes [verso]
Scribbles; Two Shapes [verso]
Paul Gauguin
crayon on wove paper · 1884
National Gallery of Art
Soldiers; Four Soldiers and a Seated Figure [verso]
Soldiers; Four Soldiers and a Seated Figure [verso]
Paul Gauguin
crayon on wove paper · 1884
National Gallery of Art
Five Studies of Soldiers and a Woman's Face; Two Figures [recto]
Five Studies of Soldiers and a Woman's Face; Two Figures [recto]
Paul Gauguin
crayon on wove paper · 1884
National Gallery of Art
Studies of Jugs and Vases; A Man with Moustache and a Boy with a Hat [recto]
Studies of Jugs and Vases; A Man with Moustache and a Boy with a Hat [recto]
Paul Gauguin
graphite and crayon on wove paper · 1884
National Gallery of Art
Four Studies of Breton Women; Shapes and Vases [verso]
Four Studies of Breton Women; Shapes and Vases [verso]
Paul Gauguin
graphite and crayon on wove paper · 1884
National Gallery of Art
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