Database / Artworks
Artworks

No. 107
Ludwig Lobmeyr, Austrian
glasswares, decorative arts, cordial glass — mouth-blown crystal, facet-cut and polished · 1868
Cooper Hewitt, Smithsonian Design Museum
Gods of Fortune at Mt. Penglai from Sketch Album
Kawanabe Kyōsai
Accordion-style book of 26 double-leaves; ink and color on paper · 1855
Cleveland Museum of Art
The Peach Boy from Sketch Album
Kawanabe Kyōsai
Accordion-style book of 26 double-leaves; ink and color on paper · 1855
Cleveland Museum of Art
Sketch Book
Kawanabe Kyōsai
Accordion-style book of 26 double-leaves; ink and color on paper · 1855
Cleveland Museum of Art
Wrestling Match from Sketch Album
Kawanabe Kyōsai
Accordion-style book of 26 double-leaves; ink and color on paper · 1855
Cleveland Museum of Art
Azure-Winged Magpie from Ōkyo Picture Book
Maruyama Ôkyo
accordion-style woodblock printed folding-book; ink and color on paper · 1850
Cleveland Museum of Art
Cherry from Ōkyo Picture Book
Maruyama Ôkyo
accordion-style woodblock printed folding-book; ink and color on paper · 1850
Cleveland Museum of Art

Boy's Baijia Pao ("One Hundred Household" Robe)
Han-Chinese
Silk, warp-float faced 3:1 'Z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave · 1850
Art Institute of Chicago
Album of Paintings by the Venerable Zeshin
Shibata Zeshin
accordion-style album of 12 leaves; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Mouse from Album of Paintings by the Venerable Zeshin
Shibata Zeshin
leaf in accordion-style album; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Brush, Holder, and Leaves from Album of Paintings by the Venerable Zeshin
Shibata Zeshin
leaf in accordion-style album; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Lotus from Album of Paintings by the Venerable Zeshin
Shibata Zeshin
leaf in accordion-style album; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Lotus from Album of Paintings by the Venerable Zeshin
Shibata Zeshin
leaf in accordion-style album; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Album of Paintings by the Venerable Zeshin
Shibata Zeshin
accordion-style album of 12 leaves; ink, color, and gold on silk · 1847
Cleveland Museum of Art
Mouse from Album of Paintings by the Venerable Zeshin
Shibata Zeshin
leaf in accordion-style album; ink, color, and gold on silk · 1847
Cleveland Museum of Art

Untitled Picture Album of
Fifteen Ink Paintings 對山先生山水画譜(たいざん せんせい さんすいがふ)
Hine Taizan
Accordion album; ink on paper · 1845
The Metropolitan Museum of Art

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Empress' Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves: silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, 4:1 satin damask weave; cuffs lined with silk, 4:1 satin weave; metal buttons · 1790
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago

Natural Trumpet
Wilhelm Haas
Brass, silk and silver gilt cording, and wood · 1680
Art Institute of Chicago

Faith, Hope and Charity
Gerrit Pietersz Sweelink
Etching; unrecorded proof before the first state with additions in pen and brown ink · 1588
The Metropolitan Museum of Art

Cranequin ( Winder ) for a Crossbow
Master H W over W
Iron with gilding, wood, and cord · 1570
Art Institute of Chicago