Database / Artworks
Artworks

Proserpine, plate five from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black and two shades of gray on paper · 1587
Art Institute of Chicago

Demogorgon in the Cave of Eternity, plate one from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black, green, and buff on paper · 1587
Art Institute of Chicago

Aether, plate six from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in yellow, green, and black on paper · 1587
Art Institute of Chicago

Proserpine, plate five from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut from three blocks in black, ochre, and green on paper · 1587
Art Institute of Chicago

Pluto, plate four from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black and two shades of gray on paper · 1587
Art Institute of Chicago

Aether, plate six from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black and two shades of gray on paper · 1587
Art Institute of Chicago

Oceanus, plate two from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black and two shades of gray on paper · 1587
Art Institute of Chicago

Nox, plate seven from Demogorgon and the Deities
Hendrick Goltzius
Chiaroscuro woodcut in black and two shades of gray on paper · 1587
Art Institute of Chicago
The Abduction of the Sabine Women
Andrea Andreani
chiaroscuro woodcut (in three shades of brown and black) · 1585
Cleveland Museum of Art

Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art

Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art

Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art

The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art

Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art

The Entombment
Andrea Andreani
Chiaroscuro woodcut in black and burnt sienna, on white laid paper · 1585
Art Institute of Chicago
Virgin and Child with St. John, St. Catherine of Siena and St. Francis
Andrea Andreani
chiaroscuro woodcut · 1585
Cleveland Museum of Art
Virgin and Child with St. John, St. Catherine of Siena and Saint Francis
Andrea Andreani
chiaroscuro woodcut · 1585
Cleveland Museum of Art
Virgin and Child with St. John, St. Catherine of Siena and Saint Francis
Jacopo Ligozzi
chiaroscuro woodcut · 1585
Cleveland Museum of Art
Virgin and Child with St. John, St. Catherine of Siena and St. Francis
Jacopo Ligozzi
chiaroscuro woodcut · 1585
Cleveland Museum of Art

Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art

Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
The Abduction of the Sabine Women
Andrea Andreani
chiaroscuro woodcut (in three shades of brown and black) · 1585
Cleveland Museum of Art

The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art

Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art