Database / Artworks
Artworks
La Calomnie (The Calumny of Apelles), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Charles Nicolas Cochin, I
Etching and chiaroscuro woodcut on ivory laid paper · 1729
Art Institute of Chicago
Jesus-Christ donnant les clefs a Saint Pierre (Christ Giving the Keys to Saint Peter), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Paul Ponce Antoine Robert
Etching and chiaroscuro woodcut from two blocks on ivory laid paper · 1729
Art Institute of Chicago
L'invention de la Croix (The Discovery of the Cross), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from 2 blocks printed in blue-green on ivory laid paper · 1729
Art Institute of Chicago
Hercule Gaulois, ou L'Eloquence, from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Charles Nicolas Cochin, I
Etching and chiaroscuro woodcut from two blocks in green and brown on ivory laid paper · 1729
Art Institute of Chicago
Diana and Endymion
Nicolas Le Sueur
chiaroscuro woodcut printed in green and black on laid paper · 1724
National Gallery of Art
Assumption of the Virgin; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Giuseppe Passeri
Nicolas Le Sueur
Aquatint imitating a chiaroscuro woodcut printed in green and brown over etching · 1724
The Metropolitan Museum of Art
Presentation of the Virgin in the Temple
John Baptist Jackson
chiaroscuro woodcut on laid paper · 1701
National Gallery of Art
Caritas met drie kinderen
Frederick Bloemaert
chiaroscuro woodcut on paper · 1650
Rijksmuseum
Moses
Frederick Bloemaert
Etching and chiaroscuro woodcut from two blocks in tan and brown on ivory laid paper · 1650
Art Institute of Chicago
Aeneas Carrying His Father, Anchises
Ludolph Büsinck
Chiaroscuro woodcut from two blocks in black and beige on ivory laid paper · 1643
Art Institute of Chicago
Alliance of Peace and Abundance
Guido Reni, Italian
chiaroscuro woodcut · 1642
Cleveland Museum of Art
The Fall of the Giants
Bartolomeo Coriolano
Chiaroscuro woodcut from three blocks on four sheets of ivory laid paper · 1641
Art Institute of Chicago
Allegory of a thesis, two women hold inscribed tablets
Bartolomeo Coriolano
Chiaroscuro woodcut from two blocks printed and green (only state) · 1640
The Metropolitan Museum of Art
Allegory of a thesis, two women hold inscribed tablets
Bartolomeo Coriolano
Chiaroscuro woodcut from two blocks printed and green (only state) · 1640
The Metropolitan Museum of Art
A giant supporting a rock
Bartolomeo Coriolano
Chiaroscuro woodcut from five blocks in beige, gray, brown, dark brown, and black ink; Version B, fifth state of eight, variant b (Takahatake) · 1638
The Metropolitan Museum of Art
Fall of the Giants
Bartolomeo Coriolano
Chiaroscuro woodcut from three blocks, printed on four sheets · 1638
The Metropolitan Museum of Art
Fall of the Giants
Bartolomeo Coriolano
Chiaroscuro woodcut from three blocks, printed on four sheets · 1638
The Metropolitan Museum of Art
A giant supporting a rock
Bartolomeo Coriolano
Chiaroscuro woodcut from five blocks in beige, gray, brown, dark brown, and black ink; Version B, fifth state of eight, variant b (Takahatake) · 1638
The Metropolitan Museum of Art
Saint Jerome
Bartolomeo Coriolano
Chiaroscuro woodcut in blue, black, and tan on buff laid paper · 1637
Art Institute of Chicago
A Sibyl
Guido Reni, Italian
chiaroscuro woodcut · 1635
Cleveland Museum of Art
Sibyl Holding a Tablet with a Winged Putto
Bartolomeo Coriolano
Chiaroscuro woodcut in green and black on cream laid paper · 1635
Art Institute of Chicago
Sibyl Holding a Tablet with a Winged Putto
Bartolomeo Coriolano
Chiaroscuro woodcut in green and black on cream laid paper · 1635
Art Institute of Chicago
Portrait of a Venetian Nobleman
Christoffel Jegher
Chiaroscuro woodcut in beige, ochre, and two tones of brown on cream laid paper · 1632
Art Institute of Chicago
Portrait of Doge Giovanni Cornaro
Christoffel Jegher
Chiaroscuro woodcut in beige, ochre, and two tones of brown on cream laid paper · 1632
Art Institute of Chicago