Database / Artworks
Artworks
Crucifixion
John Jackson
chiaroscuro woodcut · 1741
Cleveland Museum of Art
Crucifixion
John Jackson
chiaroscuro woodcut · 1741
Cleveland Museum of Art
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
The rest on the Flight into Egypt
Andrea Scacciati
Etching and aquatint imitating a chiaroscuro woodcut printed in green · 1740
The Metropolitan Museum of Art
Mystic Marriage of Saint Catherine
John Baptist Jackson
chiaroscuro woodcut printed in tones of gray from four blocks on laid paper · 1740
National Gallery of Art
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Saint Mark Saving a Slave from Torture, from Opera Selectiora
John Jackson
Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper · 1740
Art Institute of Chicago
Venetian Set: Entombment of Christ
John Jackson
chiaroscuro woodcut · 1739
Cleveland Museum of Art
The Massacre of the Innocents, from Opera Selectiora
John Jackson
Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper · 1739
Art Institute of Chicago
The Massacre of the Innocents, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper · 1739
Art Institute of Chicago
Venetian Set: Entombment of Christ
John Jackson
chiaroscuro woodcut · 1739
Cleveland Museum of Art
The Massacre of the Innocents, from Opera Selectiora
John Jackson
Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper · 1739
Art Institute of Chicago
The Massacre of the Innocents, from Opera Selectiora
John Baptist Jackson
Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper · 1739
Art Institute of Chicago
Venetian Set: Entombment of Christ
John Jackson
chiaroscuro woodcut · 1739
Cleveland Museum of Art
The Massacre of the Innocents, from Opera Selectiora
John Jackson
Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper · 1739
Art Institute of Chicago
Dessein de Balthazar Peruzzi de Sienne, from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from three blocks printed in brown on ivory laid paper · 1729
Art Institute of Chicago
Jesus Christ au milieu des Apôtres (Jesus Among the Apostles), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut printed in brown and beige on ivory laid paper · 1729
Art Institute of Chicago
St. Paul accompagné de deux Saints (Saint Paul with Two Female Saints), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Paul Ponce Antoine Robert
Etching and chiaroscuro woodcut from two blocks printed in brown and green on ivory laid paper · 1729
Art Institute of Chicago
La Messe (The Mass), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from two blocks printed in brown on ivory laid paper · 1729
Art Institute of Chicago
Les Egyptiens submerges dans la Mer Rouge (The Egyptians Drowning in the Red Sea), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from two blocks printed in blue on ivory laid paper · 1729
Art Institute of Chicago
Timoclée justifiée par Alexandre (Timoclea exhonerated by Alexander), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from two blocks printed in beige on ivory laid paper · 1729
Art Institute of Chicago
Des pecheurs retirant leur filets (Fishermen drawing their nets), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus
Etching and chiaroscuro woodcut from two blocks printed in beige-brown on ivory laid paper · 1729
Art Institute of Chicago