Database / Artworks
Artworks
Bathers by a Giant Oak
Constant Troyon
charcoal with stumping and erasing, black chalk, and oil paint, with touches of white chalk, on tan wove paper · 1842
National Gallery of Art
Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)
Eugene Delacroix
Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper · 1816
Art Institute of Chicago
Hilly Landscape with Figures Beside Waterfall
Gerard van Nijmegen
Charcoal with stumping on ivory laid paper · 1785
Art Institute of Chicago
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress
Henry Fuseli
Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper · 1783
Art Institute of Chicago
Study after Antique Sculpture of the Dancing Satyr with Cymbals
John Downman
Charcoal with stumping, heightened with traces of white chalk, on ivory wove paper prepared with a pale blue ground · 1775
Art Institute of Chicago
Study of Legs of an Antique Statue of Standing Figure
John Downman
Charcoal with stumping, heightened with touches of white chalk, on cream laid paper prepared with a tan ground · 1775
Art Institute of Chicago
Study after the Statue of the Dying Gaul
John Downman
Charcoal with stumping and black crayon on ivory laid paper prepared with a tan ground · 1775
Art Institute of Chicago
Study after Statue of Venus de' Medici
John Downman
Graphite and charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Study after the Statue of Crouching Venus
John Downman
Charcoal with stumping and touches of black crayon on ivory laid paper · 1774
Art Institute of Chicago
Study after Raphael's Diogenes in the School of Athens
John Downman
Charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Study after Statue of Venus de' Medici
John Downman
Graphite and charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Study after the statue of the Borghese Gladiator
John Downman
Charcoal with stumping on ivory laid paper prepared with a pale blue ground · 1774
Art Institute of Chicago
Study after the Statue of Crouching Venus
John Downman
Charcoal with stumping and touches of black crayon on ivory laid paper · 1774
Art Institute of Chicago
Study after Raphael's Diogenes in the School of Athens
John Downman
Charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Study after the Statue of the Borghese Gladiator
John Downman
Charcoal with stumping and touches of black crayon on ivory laid paper · 1774
Art Institute of Chicago
Fright
John Downman
Charcoal with stumping and traces of brush and black wash on cream laid paper · 1770
Art Institute of Chicago
Fright
John Downman
Charcoal with stumping and traces of brush and black wash on cream laid paper · 1770
Art Institute of Chicago
Attention
John Downman
Charcoal with stumping on cream laid paper · 1770
Art Institute of Chicago
Moses
John Downman
Charcoal with stumping on cream wove paper · 1770
Art Institute of Chicago
Study of a Right Foot
John Downman
Charcoal with stumping, heightened with white chalk, on grayish-brown laid paper · 1770
Art Institute of Chicago
Study of Folded Brocade
John Downman
Charcoal with stumping, heightened with white chalk, on blue laid paper · 1770
Art Institute of Chicago
Cupid and Two Swans
John Downman
Pen and black ink and charcoal with stumping on cream wove paper · 1770
Art Institute of Chicago
Study of a boy's legs
John Downman
Charcoal with stumping on cream wove paper · 1770
Art Institute of Chicago
Portrait Bust of Young Woman
Francis Cotes
Charcoal with stumping, heightened with white chalk, on greenish-gray laid paper with blue fibers · 1746
Art Institute of Chicago