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Artworks
![The Penitent Man on his Deathbed [left]; The Penitent Man Visited by a Priest and Angels [right]](/api/images/artworks/smithsonian/chndm_1901-39-2634.jpg)
The Penitent Man on his Deathbed [left]; The Penitent Man Visited by a Priest and Angels [right]
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and brown wash over black chalk on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

The Invention of the Compass
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and gray and brown wash, with black chalk on laid paper Verso: pen and brown ink on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

The Discovery of Guaiacum as a Cure for Venereal Disease
Jan van der Straet, called Stradanus, Flemish
Pen and brown and black inks, brush and black wash over black chalk on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

Woman before a King
Frans Francken II
Watercolor, over black chalk, on ivory laid paper · 1590
Art Institute of Chicago

The Invention of Gunpowder
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and black wash over black chalk on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

The Invention of the Stirrup
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown and black inks, brush and black wash over black chalk on laid paper Verso: pen and brown ink on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

Deer Hunt with Nets
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1590
Cooper Hewitt, Smithsonian Design Museum

Landschap met Abraham en Izaäk
Jacob Savery
brush on graphite (mineral), ink, paper, chalk · 1590
Rijksmuseum

Christ in the Olive Garden
Jacopo Tintoretto
Pen and black ink, with brown and black ink, brush and gray wash, and touches of pen and brown ink, over black chalk, heightened with white and pale yellow gouache, on light brown paper · 1590
Art Institute of Chicago

Seated Hercules
Adriaen de Vries
Black chalk, with pen and brown ink and touches of red chalk, on buff laid paper, pieced together and tipped onto blue laid paper · 1590
Art Institute of Chicago

Studie van een zittende vrouw, zonder hoofd
Cornelis Ketel
chalk, paper · 1589
Rijksmuseum

De spiegel der deugd
Cornelis Ketel
brush on paper, ink, chalk, paint (coating) · 1589
Rijksmuseum

Presentation of the Body of Saint Antoninus of Florence
Giovanni Battista Paggi
Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on white wove tissue · 1589
Art Institute of Chicago
![Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]](https://images.metmuseum.org/CRDImages/dp/original/DP836399.jpg)
Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]
Hans Vredeman de Vries
Pen and brown ink with a gray wash over traces of black chalk, stylus and compass marks · 1589
The Metropolitan Museum of Art

Presentation of the Body of Saint Antoninus of Florence
Giovanni Battista Paggi
Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on white wove tissue · 1589
Art Institute of Chicago

De spiegel der deugd
Cornelis Ketel
brush on paper, ink, chalk, paint (coating) · 1589
Rijksmuseum

Studie van een zittende vrouw, zonder hoofd
Cornelis Ketel
chalk, paper · 1589
Rijksmuseum

Study for Cosimo I Reorganizing the Tuscan Troops
Ludovico Buti
Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory laid paper · 1589
Art Institute of Chicago

Presentation of the Body of Saint Antoninus of Florence
Giovanni Battista Paggi
Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on white wove tissue · 1589
Art Institute of Chicago

Study for the "Madonna of the Rosary"
Federico Barocci
Black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk · 1589
Art Institute of Chicago

Battle Scene
Giovanni Balducci
Pen and brown ink and black chalk, on ivory laid paper, squared in black chalk, laid down on ivory laid paper · 1589
Art Institute of Chicago

Standing Draped Figure
Giuseppe Cesari, called Cavaliere d'Arpino
Red chalk on ivory laid paper, tipped onto cream laid paper, prepared with salmon wash · 1589
Art Institute of Chicago

The Parable of the Blind
Andreas de la Prieur de Cambray
Black chalk on buff laid paper · 1589
Art Institute of Chicago

Retreat of the Turks after the Siege of Vienna, 1529
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1589
Cooper Hewitt, Smithsonian Design Museum