Database / Artworks
Artworks
Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)
Frans van der Meulen
Black chalk, brush and gray wash; framing lines in pen and black ink · 1645
The Metropolitan Museum of Art
Louis XIV at the Siege of Tournai, Seen from the North-East (June 21–25, 1667)
Frans van der Meulen
Black chalk, brush and gray wash; framing lines in pen and black ink · 1645
The Metropolitan Museum of Art
Pastoral Landscape with Roman Ruins
Johann Heinrich Roos, German
Pen and ink, brush and gray wash · 1645
The Metropolitan Museum of Art
Annunciation
Cosmo
Pen and black ink, with brush and gray wash, heightened with white gouache, on parchment with prepared ground layer · 1645
Art Institute of Chicago
Allegorical Scene in Artist's Studio
Carlo Maratti
Pen and brown ink, with brush and gray wash, heightened with lead white (partly discolored), with traces of graphite, on tan laid paper · 1645
Art Institute of Chicago
Battle Scene with Horsemen Fleeing from Avenging Angel
Dirck Hals
Pen with gray and brown ink, with brush and gray wash and touches of graphite, on ivory laid paper · 1645
Art Institute of Chicago
Annunciation
Cosmos Damian Asam
Pen and black ink, with brush and gray wash, heightened with white gouache, on parchment with prepared ground layer · 1645
Art Institute of Chicago
Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)
Adam Frans van der Meulen
Black chalk, brush and gray wash; framing lines in pen and black ink · 1645
The Metropolitan Museum of Art
Louis XIV at the Siege of Tournai, Seen from the North-East (June 21–25, 1667)
Adam Frans van der Meulen
Black chalk, brush and gray wash; framing lines in pen and black ink · 1645
The Metropolitan Museum of Art
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
Holy Family
Eustache Le Sueur
Graphite, with brush and gray wash, on ivory laid paper, laid down on cream laid paper · 1642
Art Institute of Chicago
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
Travellers in a Landscape
Johann Christophe Dietzsch
Black chalk with brush and gray wash on off-white laid paper, laid down on off-white laid paper · 1642
Art Institute of Chicago
Landscape with a Windmill near a Farmstead
Aelbert Cuyp
black chalk and brush and gray wash and yellow watercolor · 1642
Cleveland Museum of Art
Religious Procession Entering Schloss Mirabell, Salzburg
Israel Silvestre, the younger
Pen and brown ink with brush and gray wash on ivory laid paper, laid down on tan laid paper · 1641
Art Institute of Chicago
Landscape with Elegant Figures by a River, with Boats to the Right and a Town Behind Trees Beyond
Allaert van Everdingen
Brush and gray wash, with touches of white wash, over touches of charcoal, ruled in pen and brown ink, on ivory laid paper · 1641
Art Institute of Chicago
Three Boats on a River with Ruins Along the Shore
Allaert van Everdingen
Brush and gray wash over traces of black chalk on ivory laid paper, tipped onto laid paper · 1641
Art Institute of Chicago
Skaters on Pond Outside Town
Allaert van Everdingen
Brush and gray wash over traces of black chalk on ivory laid paper, tipped onto laid paper · 1641
Art Institute of Chicago
Religious Procession Entering Schloss Mirabell, Salzburg
Israel Silvestre
Pen and brown ink with brush and gray wash on ivory laid paper, laid down on tan laid paper · 1641
Art Institute of Chicago
Man Herding Cows and Sheep
Nicolaes Pietersz Berchem
Pen and brown ink with brush and gray wash, over graphite, on ivory laid paper · 1640
Art Institute of Chicago
The Mocking of Christ
Pieter Jansz. Quast
Graphite and black chalk, brush and gray wash, on vellum · 1640
The Metropolitan Museum of Art
Man Herding Cows and Sheep
Nicolaes Berchem
Pen and brown ink with brush and gray wash, over graphite, on ivory laid paper · 1640
Art Institute of Chicago
River Landscape with Wooded Banks
Lodewijk de Vadder
Black chalk, over brush and gray wash, heightened with white chalk, on tan laid paper prepared with a grayish-brown wash · 1640
Art Institute of Chicago
The Mocking of Christ
Pieter Jansz Quast
Graphite and black chalk, brush and gray wash, on vellum · 1640
The Metropolitan Museum of Art