Database / Artworks
Artworks

Departing for the Hunt
Jan Verkolje
Pen and brown ink, with brush and gray wash, over traces of graphite, on buff laid paper, pieced and tipped onto card · 1670
Art Institute of Chicago

Bust of a Gentleman in an Oval Field
Hyacinthe Rigaud
Black and white chalk, stumped, brush and gray wash, heightened with white gouache, on gray-green paper; squared in black chalk · 1670
The Metropolitan Museum of Art

Man Preaching to Congregation
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Siege of Fortress
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Siege of Fortress
Jan Luyken, Dutch
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Man Preaching to Congregation
Jan Luyken, Dutch
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Saint Margaret
Godfried Maes
Brush and gray wash, over traces of graphite, on ivory laid paper, laid down on blue laid paper · 1669
Art Institute of Chicago

Martyrdom of Saint Catherine
Godfried Maes
Brush and gray wash heightened with lead white (discolored), on buff laid paper, tipped onto buff laid paper · 1669
Art Institute of Chicago

Man Preaching to Congregation
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Siege of Fortress
Jan Luyken
Pen and brown ink, with brush and gray wash, on ivory laid paper · 1669
Art Institute of Chicago

Ships in Harbor
Pieter Coopse
Pen and gray ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1668
Art Institute of Chicago

Earl of Mountrath
Godfrey Kneller
Pen and brown ink with brush and gray wash, heightened with lead white (partly discolored), over black chalk, on tan laid paper · 1666
Art Institute of Chicago

Portrait of Court Lady with Mastiff
Godfrey Kneller
Pen and brown ink, and brush and gray wash, hieghtened with lead white (discolored), over graphite, on pale brown laid paper · 1666
Art Institute of Chicago

Earl of Mountrath
Sir Godfrey Kneller
Pen and brown ink with brush and gray wash, heightened with lead white (partly discolored), over black chalk, on tan laid paper · 1666
Art Institute of Chicago

Portrait of Court Lady with Mastiff
Sir Godfrey Kneller
Pen and brown ink, and brush and gray wash, hieghtened with lead white (discolored), over graphite, on pale brown laid paper · 1666
Art Institute of Chicago

Portrait of Court Lady with Mastiff
Godfrey Kneller
Pen and brown ink, and brush and gray wash, hieghtened with lead white (discolored), over graphite, on pale brown laid paper · 1666
Art Institute of Chicago

Earl of Mountrath
Godfrey Kneller
Pen and brown ink with brush and gray wash, heightened with lead white (partly discolored), over black chalk, on tan laid paper · 1666
Art Institute of Chicago

Allegory with the Map of Cyprus
Charles Simonneau
Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1665
Art Institute of Chicago

Scene from Dutch History: Supplicants before Ruler
Romeyn de Hooghe
Pen and brown ink, with brush and gray wash, over graphite and traces of white chalk, on ivory laid paper · 1665
Art Institute of Chicago

The Lyon and the Kid, from Ogilby's Aesopics
Francis Barlow
Recto: pen and brown ink, brush and gray wash, over graphite
Verso: black chalk preparations · 1663
The Metropolitan Museum of Art

Study of Three Old Gnarled Trees
Jan Siberechts
Watercolor and brush and gray wash · 1660
The Metropolitan Museum of Art

Melchizedek Blessing Abraham
Jan Luyken
Pen and brown ink, brush and gray wash, with framing line · 1660
The Metropolitan Museum of Art

Moses and the Burning Bush
Gerard Hoet, I
Pen and point of brush and ink, brush and gray wash, heightened with white; framing lines in pen and brown ink · 1660
The Metropolitan Museum of Art

Landscape with Satyr, Goats and Other Figures
Abraham Genoels
Pen and brown and gray ink with brush and gray wash on gray laid paper, laid down on ivory wove card · 1660
Art Institute of Chicago