Database / Artworks
Artworks
Two Standing Draped Male Figures
Perugino
Pen and brush and brown ink, with lead white, on tan laid paper with light green wash · 1501
Art Institute of Chicago
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago
Madonna and Child
Benvenuto Tisi da Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Pietro Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Two Standing Draped Male Figures
Pietro Perugino
Pen and brush and brown ink, with lead white, on tan laid paper with light green wash · 1501
Art Institute of Chicago
Saint Francis Receiving the Stigmata
LO
Point of the brush and brown ink, heightened with white (partly oxidized), traces of black chalk, on paper washed with light brown. · 1500
The Metropolitan Museum of Art
Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso)
Agnolo del Mazziere
Pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash · 1500
Art Institute of Chicago
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1458
Cleveland Museum of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1458
Cleveland Museum of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1453
Cleveland Museum of Art