Database / Artworks
Artworks

A Castle on a Crag in a Mountainous Landscape
Joos de Momper, II
Pen and brown ink, with brush and brown ink wash and touches of black ink wash, over traces of black chalk, on cream laid paper · 1595
Art Institute of Chicago

A Hilly Landscape with Figures Near a Ravine
Jan Brueghel the Elder
Pen and brush and brown ink and brush and brown wash on ivory laid paper · 1595
Art Institute of Chicago

Saint Paul
Guercino
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art

Saint Paul
Francesco Barbieri
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art

Saint Paul
Guercino
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art

Caritas Romana
Abraham Bloemaert, Dutch
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago

Caritas Romana
Abraham Bloemaert
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago

Group of Figures by a River
Agostino Tassi
Pen and brown ink with brush and brown ink, on buff laid paper, laid down on ivory laid card · 1580
Art Institute of Chicago

Deposition of Christ
Michelangelo Buonarroti
Brush and brown ink, heightened with red chalk, over graphite, on cream laid paper, laid down on cream laid paper · 1580
Art Institute of Chicago

Sacrifice of Isaac
Orsi
Brush and brown ink and wash, heightened with lead white (partly oxidized), covered with shellac, on cream laid paper, laid down on card · 1531
Art Institute of Chicago
![Mary Magdalene [verso]](https://api.nga.gov/iiif/ee422950-dcbd-48e4-91b5-882e5490e2ff/full/!800,800/0/default.jpg)
Mary Magdalene [verso]
Biagio Pupini
brush and brown ink with brown wash heightened in white over black chalk · 1524
National Gallery of Art
![Mary Magdalene [recto]](https://api.nga.gov/iiif/e446bb4d-3a5b-47a7-aa32-8a710924f63f/full/!800,800/0/default.jpg)
Mary Magdalene [recto]
Biagio Pupini
brush and brown ink with brown wash heightened in white over black chalk · 1524
National Gallery of Art

Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago

Madonna and Child
Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago

Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago

Madonna and Child
Benvenuto Tisi da Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago

Saint George and the Dragon
Raphael
brush and brown ink heightened with white over black chalk, incised with stylus · 1501
National Gallery of Art

Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art

Two Standing Draped Male Figures
Perugino
Pen and brush and brown ink, with lead white, on tan laid paper with light green wash · 1501
Art Institute of Chicago

Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago

Two Standing Draped Male Figures
Pietro Perugino
Pen and brush and brown ink, with lead white, on tan laid paper with light green wash · 1501
Art Institute of Chicago

Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Pietro Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art

Saint Lucy and a Saint (recto); Alexander the Great in Profile (verso)
Agnolo del Mazziere
Pen and brown ink over graphite (recto) and brush and brown ink and wash over graphite (verso) on cream laid paper prepared with salmon wash · 1500
Art Institute of Chicago
Bust of a Woman (recto)
Benozzo Gozzoli
metalpoint with point of brush and brown ink heightened with white gouache · 1458
Cleveland Museum of Art