Database / Artworks
Artworks
Kneeling Figures Huddled Together
George Romney
Brush and brown ink, with touches of pen and brown ink, on ivory laid paper, tipped onto tan wove paper · 1754
Art Institute of Chicago
Olympus
Ferrari
Brush and brown ink and brown wash, heightened with white gouache, over graphite, on tan laid paper · 1743
Art Institute of Chicago
Olympus
Lorenzo de'Ferrari
Brush and brown ink and brown wash, heightened with white gouache, over graphite, on tan laid paper · 1743
Art Institute of Chicago
Capriccio: A Ruined Classical Temple
Canaletto
Pen and brush and brown ink, and brush and gray wash, with traces of graphite, on ivory laid paper · 1740
Art Institute of Chicago
Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords"
Gravelot, French
Brush and brown ink and brown wash over gray ink on white laid paper in six sections, laid down · 1739
Cooper Hewitt, Smithsonian Design Museum
The Bedroom (Le Coucher or Ma Chemise brule)
Jean-Honoré Fragonard
brush and brown ink with brown wash over graphite on laid paper · 1732
National Gallery of Art
View of the Park in Saint-Cloud
Jean-Honoré Fragonard
Brush and brown ink and brown wash, over traces of graphite, on ivory laid paper, laid down on cream laid card · 1732
Art Institute of Chicago
Two Monks Contemplating a Skull
Giovanni Battista Tiepolo
Brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper · 1725
Art Institute of Chicago
Holy Family with St. John and Two Angels
Giovanni Battista Tiepolo
Pen and brown ink and brush and brown ink wash on ivory laid paper · 1716
Art Institute of Chicago
Draped Female Figure at Prayer
Francesco Fontebasso
Brush and brown ink and watercolor on cream laid paper · 1709
Art Institute of Chicago
Ostrich Hunt
Charles Parrocel
Brush and brown ink, with gray and brown wash, over graphite on cream laid paper, laid down on cream board · 1708
Art Institute of Chicago
Madonna and Child with Saint Anthony of Padua
Giovanni Battista Pittoni
Brush and brown ink and wash, over traces of red and black chalk, on ivory laid paper · 1707
Art Institute of Chicago
Madonna and Child with Saint Anthony of Padua
Pittoni, Giovanni Battista, the younger
Brush and brown ink and wash, over traces of red and black chalk, on ivory laid paper · 1707
Art Institute of Chicago
Madonna and Child with Saint Anthony of Padua
Giovanni Battista Pittoni, the younger
Brush and brown ink and wash, over traces of red and black chalk, on ivory laid paper · 1707
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Antonio Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Study Sheet with Seated Figures
Alessandro Magnasco
Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687
Art Institute of Chicago
Mary as Queen of Heaven or Apotheosis of Saint
Antonio Balestra
Brush and brown ink and wash, possibly over charcoal, on ivory laid paper, laid down on blue wove paper · 1686
Art Institute of Chicago
San Carlo Borromeo Adoring an Image of the Birth of the Virgin
Sigismondo Caula
Brush and brown ink and wash, with black chalk, heightened with lead white (partly discolored), on brown laid paper, laid down on card · 1684
Art Institute of Chicago
Judgement of Paris
Francesco Trevisani
Pen and brush and brown ink, with black chalk, on ivory laid paper, laid down on ivory laid paper · 1676
Art Institute of Chicago
Study for Detail: Saint Veronica
Domenico Piola
Brush and brown ink, heightened with white chalk, over black chalk, on gray laid paper · 1675
Art Institute of Chicago
Study for Detail: Saint Veronica
Domenico Piola
Brush and brown ink, heightened with white chalk, over black chalk, on gray laid paper · 1675
Art Institute of Chicago
Figures in a Storm
Alessandro Magnasco
brush and brown ink with brown wash, heightened with white, over red chalk on laid paper · 1667
National Gallery of Art