Database / Artworks
Artworks
Untitled
Suellen Rocca
Pen and black ink on wove paper · 1965
Art Institute of Chicago
Product Photographs for Designers in Production
Davis Pratt
Offset lithographs in black ink on wove paper · 1945
Art Institute of Chicago
Mary Wigman's Dance
Ernst Ludwig Kirchner
woodcut in black touched with black ink on wove paper · 1933
National Gallery of Art
Mountains with a Mountain Hut
Ernst Ludwig Kirchner
woodcut touched with black ink on wove paper · 1921
National Gallery of Art
a) Negotiations at the Trianon Palace, Versailles (recto); b) Study for Negotiations at the Trianon Palace, Versailles (verso)
Jean-Louis Forain
a) brush and black ink over graphite on wove paper
b) brush and black ink on wove paper · 1919
National Gallery of Art
a) Fetters (recto); b) Sketch for Fetters (verso)
Jean-Louis Forain
a) crayon and bursh and black ink on wove paper
b) black crayon on wove paper
· 1919
National Gallery of Art
Ghost of Sergeant Pelly
George Bellows
charcoal, gray wash, and graphite with brush and black ink on wove paper · 1918
National Gallery of Art
Lost Illusions
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1918
National Gallery of Art
Joseph Pennell
Childe Hassam, American
Lithograph with scraping in black ink on wove paper · 1917
Cooper Hewitt, Smithsonian Design Museum
Dead Scottish Soldiers on the Battlefield near Ypres
René Beeh
watercolor with pen and black ink on wove paper · 1916
National Gallery of Art
The Handsome Barber
Jules Pascin
watercolor with pen and black ink on wove paper · 1914
National Gallery of Art
France Watching
Jean-Louis Forain
brush and gray and black ink on wove paper · 1914
National Gallery of Art
M. Clemenceau. La lettre du Cte Czernin
Jean-Louis Forain
brush and black ink on wove paper · 1914
National Gallery of Art
The Economic Withdrawal
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
a) Two Soldiers in a Trench (recto); b) Interior with Figures Seated Behind Table (verso)
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
Hospital Scene
Jean-Louis Forain
brush and black ink on wove paper · 1914
National Gallery of Art
a) In the Trenches (recto); b) Study for In the Trenches (verso)
Jean-Louis Forain
a) black crayon with black and grey wash on wove paper
b) black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
Le retour du permissionnaire. -Tu Tombes a pie!
Jean-Louis Forain
black and orange crayon and brush and black ink on wove paper · 1914
National Gallery of Art
News in the Trenches
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
Rassurez vous; je suis gauché.
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
Au front de Champagne - Les dernieres prieres
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
a) Looking for the Enemy (recto); b) Sketch for Looking for the Enemy (verso)
Jean-Louis Forain
a) brush and black ink on wove paper
b) brush and black ink on wove paper · 1914
National Gallery of Art
Ceux de la priemiere heure. "Sire! ou en somme-nous de "la guerre fraiche et joyeuse"?..."
Jean-Louis Forain
black crayon and brush and black ink on wove paper · 1914
National Gallery of Art
a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso)
Jean-Louis Forain
a) brush and brown and black ink on wove paper
b) brush and brown ink on wove paper · 1914
National Gallery of Art