Database / Artworks
Artworks
Ilonka
Max Beckmann
Black crayon, on cream wove paper · 1931
Art Institute of Chicago
Valley of the Hondo, New Mexico
John Marin
Watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago
Mountain Forms, New Mexico
John Marin
Watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago
West Forty-Second Street from Ferryboat
John Marin
Watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame · 1929
Art Institute of Chicago
Self-Portrait
Francis Picabia
Gouache, pen and black ink, and black crayon on cream wove paper · 1929
Art Institute of Chicago
On Morse Mountain, No. 6, Maine
MARIN
Watercolor and black crayon and reductive work with the end of paint brush on thick, moderately rough-textured wove paper · 1928
Cleveland Museum of Art
Self-Portrait
Ernst Ludwig Kirchner
brush and ink with watercolor over black crayon on paper · 1928
National Gallery of Art
On Morse Mountain, No. 6, Maine
John Marin
Watercolor and black crayon and reductive work with the end of paint brush on thick, moderately rough-textured wove paper · 1928
Cleveland Museum of Art
Old Woman Kneeling
Fritz Pauli
Black crayon on tan wove paper · 1927
Art Institute of Chicago
Movement No 24–Pertaining to Deer Isle–The Road
John Marin
Watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame · 1927
Art Institute of Chicago
Two Shepherds
Ernst Ludwig Kirchner
Black crayon, on cream laid paper · 1927
Art Institute of Chicago
Ships near the Trieux River
Paul Signac, French
black crayon and watercolor · 1925
Cleveland Museum of Art
Carnival in Naples
Max Beckmann
Brush and India ink, black crayon, and white chalk on brown wove paper · 1925
Art Institute of Chicago
People, Birds, and Stars
Joan Miró
Black crayon, and charcoal with stumping, with touches of gouache, on ivory wove paper · 1925
Art Institute of Chicago
Study
Joan Miró
Black crayon on cream laid paper (fixed) · 1925
Art Institute of Chicago
Ships near the Trieux River
Paul Signac
black crayon and watercolor · 1925
Cleveland Museum of Art
Study for Nude with Hexagonal Quilt
George Bellows
charcoal and black crayon on wove paper mounted to paperboard · 1924
National Gallery of Art
Woodstock Road, Woodstock, New York
George Bellows
black crayon on wove paper · 1924
National Gallery of Art
Trickster Lawyers (recto) Figures in a Courtroom (verso)
Jean-Louis Forain
Watercolor and black crayon, with touches of gouache, on cream wove paper (discolored to buff) · 1924
Art Institute of Chicago
Viticulture
Joan Miró
Black crayon and watercolor, with graphite and incising, on cream wove paper · 1924
Art Institute of Chicago
Self-Portrait in the Studio (Selbstbildnis im Atelier)
Ernst Ludwig Kirchner
black crayon on board · 1923
National Gallery of Art
Self-Portrait
Lovis Corinth
Graphite, with traces of black crayon, on cream wove paper · 1923
Art Institute of Chicago
Nude Woman Bending Over
George Wesley Bellows
Black crayon with stumping, on cream wove coated paper · 1923
Art Institute of Chicago
Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3
Hugh Ferriss, American
drawing — black crayon, stumped and erased; brush and black wash over photostat, varnish, on illustration board · 1922
Cooper Hewitt, Smithsonian Design Museum