Database / Artworks
Artworks

Sheet of Sketches
Henry Moore
Watercolor and black crayon, with blue pencil and pen and black ink, over white wax crayon and graphite, on ivory wove paper · 1939
Art Institute of Chicago

Persons Haunted by a Bird
Joan Miró
Gouache and black crayon, with watercolor and touches of brown crayon, over traces of charcoal, on off-white wove paper · 1938
Art Institute of Chicago

Group of Personages
Joan Miró
Watercolor and black crayon, with touches of gouache, over graphite, on cream wove paper · 1937
Art Institute of Chicago

The Pump
Grant Wood
Black crayon, with touches of graphite, on cream wove card · 1937
Art Institute of Chicago

Head of a Woman
Hedda Sterne
Pen and brown ink, with pen and black ink and traces of graphite and black crayon, on off-white wove paper · 1936
Art Institute of Chicago

Landscape in Shape of Cross
Hedda Sterne
Charcoal and black crayon on cream wove paper, laid down on cream wove paper · 1936
Art Institute of Chicago

Animals in Monumental Pose
Paul Klee
Black crayon on cream wove tracing paper, hinged to cream wove card · 1933
Art Institute of Chicago

Drawing - Collage
Joan Miró
Collage composed of cut-and-pasted, commercially printed papers, postcards, and sandpaper, with graphite and black crayon, on tan wove paper · 1933
Art Institute of Chicago

Ilonka
Max Beckmann
Black crayon, on cream wove paper · 1931
Art Institute of Chicago

Valley of the Hondo, New Mexico
John Marin
Watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago

Mountain Forms, New Mexico
John Marin
Watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame · 1930
Art Institute of Chicago

West Forty-Second Street from Ferryboat
John Marin
Watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame · 1929
Art Institute of Chicago
On Morse Mountain, No. 6, Maine
MARIN
Watercolor and black crayon and reductive work with the end of paint brush on thick, moderately rough-textured wove paper · 1928
Cleveland Museum of Art

Self-Portrait
Ernst Ludwig Kirchner
brush and ink with watercolor over black crayon on paper · 1928
National Gallery of Art
On Morse Mountain, No. 6, Maine
John Marin
Watercolor and black crayon and reductive work with the end of paint brush on thick, moderately rough-textured wove paper · 1928
Cleveland Museum of Art

Movement No 24–Pertaining to Deer Isle–The Road
John Marin
Watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame · 1927
Art Institute of Chicago

Two Shepherds
Ernst Ludwig Kirchner
Black crayon, on cream laid paper · 1927
Art Institute of Chicago
Ships near the Trieux River
Paul Signac, French
black crayon and watercolor · 1925
Cleveland Museum of Art

Carnival in Naples
Max Beckmann
Brush and India ink, black crayon, and white chalk on brown wove paper · 1925
Art Institute of Chicago

People, Birds, and Stars
Joan Miró
Black crayon, and charcoal with stumping, with touches of gouache, on ivory wove paper · 1925
Art Institute of Chicago

Study
Joan Miró
Black crayon on cream laid paper (fixed) · 1925
Art Institute of Chicago
Ships near the Trieux River
Paul Signac
black crayon and watercolor · 1925
Cleveland Museum of Art

Study for Nude with Hexagonal Quilt
George Bellows
charcoal and black crayon on wove paper mounted to paperboard · 1924
National Gallery of Art

Woodstock Road, Woodstock, New York
George Bellows
black crayon on wove paper · 1924
National Gallery of Art