Database / Artworks
Artworks

Standing Figure
Luigi Vanvitelli, Italian
figures, drawing — black crayon on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

A Standing Man
Luigi Vanvitelli, Italian
figures, drawing — black crayon on paper, lined · 1700
Cooper Hewitt, Smithsonian Design Museum

Sketch of a Male Nude Leaning on Right Elbow (recto)
Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago

Seated Youth
Raphael
Black crayon on tan laid paper · 1700
Art Institute of Chicago

Man with Dog in Forest
Thomas Gainsborough
Black crayon on ivory laid paper · 1700
Art Institute of Chicago

Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago

Spandrel Decoration with Two Putti
Carlo Maratti
Black crayon, over touches of graphite, on cream laid paper · 1700
Art Institute of Chicago

Rembrandt with a Plumed Hat
Rembrandt van Rijn
Black crayon, with stumping, with pen and black ink, on tan laid paper · 1700
Art Institute of Chicago

Two Studies of the Virgin with Child
Francesco Trevisani, Italian
Black crayon, white heightening on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

Venus at the Forge of Vulcan, Design for a Sideboard Panel
Jean-Bernard Turreau, French
Black crayon, pen and black ink on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

Sketch of a Male Nude Leaning on Right Elbow (recto)
Charles-Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago

Design for a table clock
Giuseppe Gagliardi, Italian
Pen and ink, brush and watercolor, black crayon on laid paper · 1697
Cooper Hewitt, Smithsonian Design Museum

Head and Shoulders of Veiled Woman
Sebastiano del Piombo
Black crayon, on blue laid paper, laid down on ivory laid paper · 1695
Art Institute of Chicago

Salome Receives the Head of St. John the Baptist
Domenico Piola, Italian
Black crayon, pen and ink, brush and sepia wash on paper · 1675
Cooper Hewitt, Smithsonian Design Museum

Presentation of the Virgin
François Verdier
Black crayon and brush and gray wash, with black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

Moses and the Brazen Serpent
François Verdier
Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card · 1671
Art Institute of Chicago

Presentation of the Virgin
François Verdier
Black crayon and brush and gray wash, with black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper · 1671
Art Institute of Chicago

The Flight of the Centaur Nessus with Dejanina
François Verdier
Black chalk, with black crayon, over traces of red chalk, heightened with traces of white chalk, on brown laid paper, perimeter mounted on cream laid paper · 1671
Art Institute of Chicago

Moses and the Brazen Serpent
François Verdier
Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card · 1671
Art Institute of Chicago

Moses Striking the Rock
François Verdier
Pen and black ink, black crayon, brush and black ink, and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on cream laid card · 1670
Art Institute of Chicago

Abraham's Sacrifice of Isaac
Giacinto Calandrucci
Black crayon on cream laid paper · 1666
Art Institute of Chicago

Abraham's Sacrifice of Isaac
Giacinto Calandrucci
Black crayon on cream laid paper · 1666
Art Institute of Chicago

Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago

Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago